Music colleges might continue to teach the harmonic language of bebop as a fundamental of jazz education, but the ways in which creative young musicians use those adaptable skills – in frameworks from electronica to hip-hop via Björk, Radiohead or Frank Zappa – are constantly intriguing. An attractive recent arrival is Big Bad Wolf, a quartet of frontrunners from the Royal Academy and Leeds College of Music, comprising trombone, six-string electric bass, guitar (the excellent Rob Luft) and drums. They unhurriedly navigate an almost entirely ensemble-generated sound of teasingly chilled-out melodic loops, laid-back vocal chants, eccentrically skipping Zappa-like motifs, and the occasional diversion into humming guitar solos, and softly fluffy trombone improv. Luft’s fondness for a kora-like African sound colours the snappy Hopkin’s Choice and the playfully hooky Frog; rock lullaby Grassfish builds to an EST-like clamour, and the title track affirms how inventively the quartet juggle tone colour, constantly renewing sub-themes, and subtly shifting grooves. It’s not jazzy on the outside, but deep down there’s no mistaking it’s there.
Big Bad Wolf: Pond Life review – teasing, intriguing young jazz band
John Fordham
(Big Bad Wolf
Contributor
John Fordham
John Fordham is the Guardian's main jazz critic. He has written several books on the subject, reported on it for publications including Time Out, Sounds, Wire and Word, and contributed to documentaries for radio and TV. He is a former editor of Time Out, City Limits and Jazz UK, and regularly contributes to BBC Radio 3's Jazz on 3
John Fordham
The GuardianTramp