Joni Mitchell lets rip at Donald Trump at rarity-laden US concert

Performing in Los Angeles, the singer encouraged US citizens to ‘get out and vote’ – and played rarely heard political songs such as Dog Eat Dog

Joni Mitchell has made her voice heard in the upcoming US election, responding: “Fuck Donald Trump!” to an audience member who yelled an insult about the Republican presidential candidate.

“I love that song,” Mitchell continued – presumably a reference to the 2016 YG song FDT.

Performing her first headline concert in Los Angeles in 24 years on Saturday, Mitchell, 80, said: “Everybody get out and vote. This is an important one. I wish I could vote – I’m Canadian. I’m one of those lousy immigrants.”

Mitchell’s comments came after she performed the political title track of her 1985 album Dog Eat Dog for the first time since its year of release. In the song she sings of: “Holy hope in the hands of / Snakebite evangelists and racketeers / And big wig financiers.” After the latter line, she ad libbed “like Donald Trump.”

At the self-styled “Joni Jam”, across two nights at the Hollywood Bowl, Mitchell performed with musicians including Brandi Carlile, Wendy & Lisa, Allison Russell, Robin Pecknold of Fleet Foxes, Marcus Mumford, Annie Lennox – on Ladies of the Canyon – Jacob Collier and Jon Batiste.

She also gave newer songs their live debut, with If I Had a Heart, from 2007’s Shine, and The Sire of Sorrow, from 1994’s Turbulent Indigo: the former castigates “Holy war / Genocide / Suicide”, while the latter speaks of losing “all taste for life”.

The concerts come two years after Mitchell’s surprise appearance at the 2022 Newport folk festival – her return to live performance after experiencing a brain aneurysm in 2015 that left her unable to speak or walk.

She also covered Elton John’s I’m Still Standing – but remained seated throughout the concert, and changed a line accordingly: “I’m still sitting after all this time,” she sang.

Mitchell’s last original album was Shine; she is in the midst of an archival reissues project highlighting remastered and unreleased material, the last of which was The Asylum Albums (1976-1980), released in June.

Contributor

Laura Snapes

The GuardianTramp

Related Content

Article image
Joni Mitchell: ‘I’m hobbling along but I’m doing all right’
Singer discusses health difficulties in rare public speech as she accepts Kennedy Center award

Ben Beaumont-Thomas

06, Dec, 2021 @12:32 PM

Article image
Joni Mitchell teams up with Cameron Crowe to script her biopic
Legendary folk star is reportedly offering input into screenplay for drama film about her life

24, Mar, 2023 @10:11 AM

Article image
Joni Mitchell announces new live album in rare interview with Elton John
The singer will release a recording of her recent appearance at Newport Folk festival, her first full performance in 20 years

Shaad D'Souza

12, Nov, 2022 @7:30 AM

Article image
Pop CD: Joni Mitchell, Travelogue

(eastwest/Nonesuch)

Betty Clarke

22, Nov, 2002 @12:02 PM

Article image
CD: Joni Mitchell, Shine

(Hear Music)

Alexis Petridis

21, Sep, 2007 @10:59 PM

CD: Joni Mitchell, Shine

Despite some painfully simplistic moments, Joni Mitchell's sombre anti-war album contains some fine work, says Neil Spencer.

Neil Spencer

16, Sep, 2007 @10:57 PM

Article image
Joni Mitchell attends gig as she continues recovery from aneurysm
Singer goes to a Chick Corea concert in LA in her first public appearance since she was hospitalised in 2015

Guardian music

22, Aug, 2016 @8:41 AM

Article image
Joni Mitchell: where to start in her back catalogue
In Listener’s digest, our writers help you explore the work of great musicians. Next up: the poet of Laurel Canyon who refused anyone’s will but her own

20, May, 2020 @2:00 PM

Article image
Joni Mitchell gives first full live performance since 2002
The musician’s set at the Newport Folk festival was her first since she had a brain aneurysm in 2015

Laura Snapes

25, Jul, 2022 @9:36 AM

Article image
Joni Mitchell: how rock misogyny made me into a militant fan
It took Joe Muggs until his 30s to get into Mitchell’s grown-up music, but once it clicked, the whole history of music was rewritten in his head

Joe Muggs

17, Feb, 2021 @11:00 AM