Dinosaur with Stephen Fry review – as enchanting as Jurassic Park

This four-part series uses CGI beasts to make it look like its host has been sent back in time, and it’s excellent – full of fascinating insights and gripping experiments

The average elephant has to eat 150kg of food a day. I’m no scientist but that’s probably one reason elephants have never learned to speak, crochet or read the Booker longlist – they’re too busy masticating leaves 24/7. Probably.

The same is true – only more so – with your average diplodocus, which, when it lived around 150m years ago, was, as Stephen Fry tells us, taller than a doubledecker bus and about 14m long from nose to tail tip, which, as you know, is 13m longer than your average metre.

Scaling up from an elephant, suggests Fry, who is also no scientist, we can confidently estimate that the diplodocus ate three-quarters of a tonne of food a day – much of it conifer leaves – to stay alive. “That seems impossible given how small its head was,” observes Fry. Good point: its neck was longer than Stephen Fry’s CV, which I’d have thought would have made its teeth to tummy journey prohibitively costly in energy terms. But again: I’m no scientist.

This first episode of a four-part new series really is excellent, with helpful graphics, CGI dinosaurs, gripping experiments and expert insight. I didn’t know, for instance, that an allosaurus, one of the diplodocus’s leading foes in the early Jurassic, could open its jaw 79 degrees. Not that it was yawning because there was nothing on TV back then, but rather trying to use its upper jaw to wound diplodocuses, each one of which, as Fry puts it, is “basically 15 tonnes of prime Jurassic steak”. We see engineers from University College London build a replica of that jaw and use it to snap through a melon representing a diplodocus flank. I’m sure they should be designing railways or building bridges, but making a metal jaw to destroy fruit in the manner of an extinct dinosaur seems much more fun.

Dinosaur’s central conceit is that Fry has travelled back in time – somehow – to the western coast of Pangaea, the land mass that covered a third of the planet 150m years ago, and there walks with plant-eating diplodocuses, meat-eating allosauruses and the real-life equivalents of Laura Dern in Jurassic Park. More likely, he and the paleontologists are in front of a green screen in Elstree, but let’s not spoil the illusion. Just before Christmas, Fry was on ITV fronting a nature show called A Year on Planet Earth, now he’s presenting a show as enchanting as – but more data-rich than – Spielberg’s dinosaur classic. He has impersonated David Attenborough, now he’s having a go at brother Richard.

So, how in fact does a diplodocus ingest so many tonnes of greenery? Good question. Like a toddler, it doesn’t chew, but swallows its meals whole and a formidable array of enzymes break the meal down while it’s already swallowing more leafy input.

But this requirement of endlessly eating makes it a tricky business when, as happens, you give birth to lots of eggs that hatch baby diplodocuses. What do you do then? Like turtles, Fry tells us, mother diplodocuses abandon the eggs to hatch. Childcare and feeding offspring would be too time consuming for diplodocuses, so they let the little poppets fend for themselves.

But we’re getting ahead of ourselves. How do diplodocuses mate? They probably reared up on to their hind legs and balanced with their tails before embarking on coitus that, you’d think, sent tremors that could have been measured on the Richter scale. Plus, argues maverick tech billionaire Nathan Myhrvold – who constructed a robo-tail to prove the point – diplodocuses could create whip-cracking sonic booms. These whip cracks, Myhrvold explains, were also part of the diplodocus’s seduction technique. Of course, this is all very controversial: who among us really knows what aroused a diplodocus 150m years ago? Apart from Stephen Fry of course, who, as we explained earlier, was sent back in time to the Jurassic by Channel 5 – somehow – to find out.

Fry’s documentary takes on a topical relevance, given that later this month Dippy, the Natural History Museum’s lifesize plaster of Paris diplodocus skeleton replica, is to be transported, possibly up the M1 and thus passing the diplodocus’s soulmates, the elephants of Whipsnade zoo, to the Herbert Art Gallery and Museum in Coventry. It is confidently expected that Dippy will escape the Herbert to lead the Coventry City frontline as a target man, like Erling Haaland with a much longer neck, ideal for headers though tricky when it comes to beating the offside trap. Stephen Fry has already been signed up to present one of those All or Nothing Amazon series about how Dippy helps the championship side get promotion to the premiership. Probably.

Contributor

Stuart Jeffries

The GuardianTramp

Related Content

Article image
Elizabeth: A Life Through the Lens review – the late queen’s reign looks like one long marketing campaign
This swift documentary looks at the use of photography to shape the previous UK monarch’s image. It’s a fascinating account of her reliance on imagery

Jack Seale

11, Jun, 2023 @7:00 PM

Article image
Naked Education review – the look at pubic hair is wonderfully revelatory
Giggling, blushing teens! Unbridled nudity! It’s yet another Anna Richardson show about nakedness, but surprisingly, this one features genuine moments of wisdom

Jack Seale

04, Apr, 2023 @8:00 PM

Article image
Devil’s Advocate review – a mind-boggling tale of a real-life grifter
This documentary looks at the rise and fall of the ‘lawyer’ Giovanni di Stefano, whose list of clients reads like a Who’s Who of criminality – from Saddam Hussein to Harold Shipman

Lucy Mangan

15, Feb, 2022 @11:00 PM

Article image
Is Uni Racist? review – disturbing accounts of discrimination on campus
Linda Adey’s documentary considers the piecemeal response of higher education providers to race-related incidents, and explains why some students are afraid to speak up

Lucy Mangan

28, Apr, 2021 @10:25 PM

Article image
Forget Jurassic Park: inside the gorgeous David Attenborough series that’s redefining dinosaurs
Prehistoric Planet’s intimate, moving CGI footage is revolutionising natural history – and it’s presented by a national treasure. We meet the creators of a unique TV series

Stuart Heritage

19, May, 2023 @10:30 AM

Article image
Wild Isles review – David Attenborough’s last hurrah makes for unmissable TV
The broadcasting legend takes a lovely, unparalleled look at the majestic wildlife of the UK and Ireland. If anyone can stop its terrifying destruction, it’s him

Rebecca Nicholson

12, Mar, 2023 @8:00 PM

Article image
Evacuation review – an astonishingly vivid picture of Kabul’s terrifying fall
This tale of the scramble to escape from Kabul airport – as told by the British military – will leave you with a thousand-yard stare. It’s some of the most shocking TV you will see this year

Jack Seale

02, Jul, 2023 @9:00 PM

Article image
Sex: A Bonkers History review – the relief when it ends is indescribable
From tragic cucumber jokes to whipping up some ancient Egyptian spermicide, this Amanda Holden and Dan Jones vehicle is an embarrassment from start to finish. You’ll cringe yourself inside out

Lucy Mangan

18, Sep, 2023 @9:00 PM

Article image
The Confession review – you’ll study every gesture in this true-crime documentary
Keith Hall confessed his wife’s murder to an officer wearing a wire – and was found innocent. This programme will leave you scrutinising his every second on screen to make your mind up about him

Jack Seale

25, Nov, 2022 @6:00 AM

Article image
A Very British Cult review – an unrelenting investigation into the worst of humanity
This delicate, remorseless documentary looks at the apparent coercion, isolation and bullying of the members of Lighthouse – an organisation that made millions from its devotees

Lucy Mangan

05, Apr, 2023 @9:00 PM