Bloods review – patchy paramedic comedy unlikely to split your sides

Comics Samson Kayo and Jane Horrocks bring just enough charm to elevate this ambulance-based sitcom from perilously laugh-free to worth 22 minutes of your time

In this new comedy (Sky One), Maleek’s former paramedic partner Kevin has gone on sabbatical to Thailand. Maleek is supremely confident this has nothing to do with the fact he accidentally defibrillated Kevin on their last callout together, but then Maleek is supremely confident about most things. The brio and energy that Famalam’s Samson Kayo – who also co-created this series – brings to the role is a joy to behold. If it also manages to shock some underpowered writing into life along the way, that, too, is all to the good.

In Kevin’s absence, Maleek is paired with Wendy (Jane Horrocks). She is a perky, quirky paramedic from the north – or “Emmerdale”, as Maleek has it – recently divorced and on Tinder, hoping to start a new life in London. Think an older Bubble from Ab Fab, with a driving licence and graduation certificate. I find Horrocks’s perky, quirky shtick quite effortful and exhausting, but I am aware that I am in the minority. She is in the show a lot, and has to work hard in every moment of screen time, given some of the weakest lines and set-ups. (A lot of supposed hilarity revolves around her, an impossibly aged crone of 50-odd, having sex with new people and misusing the street slang she picks up from Maleek.)

After a perilously laugh-free opening episode (Kayo aside, who has funny in his bones) things begin to improve. This is thanks to some beautifully pitched secondary characters. There are Darrel and Darryl (Kevin Garry and Sam Campbell), the platonic ideal of paramedic partners now that Darrel has calmed “Hurricane” Darryl down (“Yoga,” he explains. “And we cut out dairy”). They resuscitate patients to George Ezra songs – “Give me a beat, Darryl” – and by the time pathologically ambitious Kareshma (Aasiya Shah) starts trying to drive a wedge between them in episode three, I found myself quite invested in their happiness.

Kareshma is keen to get off “the bunion bus” (transporting pensioners to health appointments) and has her eye on the unit boss Jo’s job. She may be on a hiding to nothing here, as Jo (Lucy Punch) is a competent “hub commander” when not smashing her head open on tarmac to impress her crush, motorbike paramedic Laurence (The Mighty Boosh’s Julian Barratt), with her nonexistent kickboxing skills. Her vigorous attempts at flirting with this recently bereaved colleague – “What flavour’s your soup?” she asks him in the canteen, “cream of knobhead?” – and his wearily kind responses are nuggets of tragicomic perfection scattered throughout. Punch plays her not as a ditsy fool overcome in the moment, but as someone with cluelessness stamped through her like lettering through a stick of rock. And there is an increasingly rewarding running gag about the forgettability of stalwart unit member Gary (Adrian Scarborough – Gavin & Stacey’s Pete Sutcliffe). “Thank you, mysterious stranger,” Darryl says after Gary mends the damage done by Kareshma’s machiavellian interventions. “I helped you move!” replies Gary helplessly, to Darryl’s already retreating back.

We move through various adventures – major road traffic accidents, barbecue immolations – and non-adventures – Wendy and Maleek representing the ambulance service alongside the police (“filth”) and fire brigade (“hose muppets”) at a local community day. There are moments of growth and learning. Some are taken, mostly by Wendy. Some are not, mostly by Maleek – a man who never foresaw his terror of heights putting a spoke in the rotary blades of his ambition to become a helicopter ambulance pilot. But he and “Brookside” gradually learn to rub along together, even if they will never quite attain the synchronicity of hearts, minds and souls that Darryl and Darrel have – well, who among us ever will?

You are never in any danger of needing any stitches in sides split from laughing. But if (by halfway through, at least) Bloods remains patchily written, it is beginning to cohere and take on a charm and warmth that, with a bit of a punch-up to the script, could turn it into something well worth a weekly 22 minutes of your time. If Maleek, after all, can get his “lickle Heimlich ting” to work in front of an admiring audience, and Laurence can learn to laugh over a game of Jenga again, who’s to say what other pleasing outcomes life might have in store for us?

Contributor

Lucy Mangan

The GuardianTramp

Related Content

Article image
Atypical season four review – warm autism comedy comes of age
Netflix’s sitcom about an autistic teenager’s road to independence reaches its final season, dealing with big themes in a way that is sweet but not saccharine

Rebecca Nicholson

09, Jul, 2021 @8:00 AM

Article image
Meet the Richardsons review – sofa, so good for this comedy couple
Jon Richardson and Lucy Beaumont’s domestic mockumentary returns for a second series, with fewer meta jokes but just as much fun

Rebecca Nicholson

08, Apr, 2021 @9:40 PM

Article image
Chivalry review – Steve Coogan and Sarah Solemani’s immensely satisfying #MeToo comedy
What if Alan Partridge were a Hollywood hotshot in 2022? This razor-sharp show follows an old-school film producer floundering in a strange new world – and it’s got just the right amount of wrongness

Lucy Mangan

21, Apr, 2022 @10:05 PM

Article image
Flatbush Misdemeanours review – Broad City-esque comedy is fresh and thrilling
Two friends ruin a drug dealer’s stash in this funny, surreal US sitcom – then end up having a tremendously daft, series-long caper

Rebecca Nicholson

12, Aug, 2021 @10:15 PM

Article image
Hacks season two review: the most vile – and pleasurable – comedy on TV
Deborah and Ava are heading off on tour ... and still being operatically cruel. Who cares about likability when watching these women be vicious to each other is such a delight?

Rebecca Nicholson

10, Jun, 2022 @8:00 AM

Article image
Jerk series two review – still the most outrageously un-PC comedy on TV
Tim Renkow is back as a sociopathic puppeteer with cerebral palsy – who now identifies as able-bodied – in this superbly awkward comedy about society’s discomfort with disability

Stuart Jeffries

02, Aug, 2021 @10:15 PM

Article image
PEN15 review – the most captivating cringe-comedy on TV bows out on a high
As Maya Erskine and Anna Konkle’s show enters its final run, it’s at the peak of its powers. Never have the agonies of teenage life been so clear … or so hilarious

Rebecca Nicholson

04, Jan, 2022 @10:15 PM

Article image
The Witchfinder review – a comedy with so much wasted potential it makes you sad
Daisy May Cooper, Tim Key and other stellar talents are hamstrung by this period comedy’s thin story and unimpressive jokes

Lucy Mangan

08, Mar, 2022 @10:30 PM

Article image
Mo review – it is impossible not to become instantly invested in this warm, moving comedy
Palestinian American comic Mo Amer’s semi-autobiographical sitcom about a refugee seeking US citizenship is gorgeously textured, bewitchingly acted – and very, very funny

Lucy Mangan

24, Aug, 2022 @5:00 AM

Article image
Minx review – the joyful feminist porn comedy that proves 2022 is TV’s year of male nudity
It’s brisk, it’s bouncy and it’s very moreish indeed. This 70s-set series about a feminist editor forced to create a porn magazine is packed with full frontal shots of men – and it’s a total hoot

Rebecca Nicholson

14, Sep, 2022 @4:40 PM