The Mosquito Coast review – Apple’s thriller remake is a disappointing journey

A visually impressive yet narratively underwhelming new take on Paul Theroux’s novel, starring his nephew Justin, isn’t worth the effort

In the new fugitive thriller series The Mosquito Coast, Justin Theroux stars as Allie Fox, an off-the-grid handyman who forbids his family from using phones, screens or anything that can ping Google Maps. Allie and his wife Margot (Melissa George) are in hiding, though from who and why is never clear; not even to their two homeschooled teen children Dina (Logan Polish) and Charlie (Gabriel Bateman).

Kids ask the darndest questions of course. Why can’t they have phones and socialize with others? Why can’t they see their grandparents? Why are they being uprooted from their Stockton, California, home while being chased by two NSA agents (Kimberly Elise and James LeGros), entire police units and the Mexican cartel? Over seven episodes, Allie and Margot evade cops, criminals, wifi signals and their children’s inquiries, refusing to explain what they did to become America’s most wanted. These parents will trust their kids to break them out of police custody, but won’t fill them in on why they need to be broken out.

That the AppleTV+ show keeps the audience in the dark is baffling and frustrating to say the least. The series, created by Neil Cross, holds back basic intel for as long as possible, perhaps as a gambit to lure viewers to the next episode. But without much grasp of the characters or the stakes, tuning out is the more tempting choice.

The visuals are inviting though. It is a stunning-looking series, with beautiful vistas, loaded compositions and smartly directed action that tends to play out across different planes within the same frame. All that Apple money is up there on the screen to behold. If only they had better material to hang it on.

Cross adapts – and stretches thin – elements from the 1981 novel authored by Justin’s uncle, the travel writer Paul Theroux. The novel, which was not about a family on the run, was already faithfully turned into the 1986 Peter Weir movie starring Harrison Ford. Ford plays Allie as a mad inventor who chastises American consumerism and imperialism while trying to build his own utopian community among natives in Central America. He’s basically the incompetent and uninspiring version of Apocalypse Now’s Colonel Kurtz.

There are shades of Ford’s performance in Theroux’s Allie who is also pursuing a tropical off-the-radar hideaway. Bug-eyed with his beard hairs grown to the length of a scrub brush, he has a desperate car salesman charm as he too rants about consumerism and how a nation with a corrupt soul mistreats its most valuable resource: people. But over the course of his exceedingly unhinged adventure, Allie shows little regard for those he exploits and hurts along the way. In one scene, a smuggler (Scotty Tovar) helping the Fox family cross the border into Mexico yells the show’s thesis at Allie: “You are America, asshole!” There’s a self-awareness in that moment that feels disingenuous considering the rest of the series.

The Mosquito Coast occasionally wants you to take it seriously, complementing its action with bite-sized takes on the plight of vulnerable communities. Characters spit knowledge about illegal border crossings, enhanced interrogation techniques and the desperation of people escaping cartel violence and poverty for a chance at the American dream. A lot of bleeding-heart sentiments are expressed in a show where a white family traverse the hostile, corpse-ridden landscape from the US to Mexico like tourists in other people’s suffering. The series belongs in a category with Taylor Sheridan-penned thrillers like Sicario and Wind River.

Even as a basic, frothy and propulsive thriller, The Mosquito Coast tends to frustrate with senseless and illogical turns. Theroux’s character for instance is introduced in the pilot episode as resourceful, perceptive and fast-to-act as he evades a dragnet laid by authorities, anticipating everyone’s move. He can build a machine that turns fire into ice, rig phone towers to do his bidding and convince people to act against their best interests. But in a later episode, when facing a rather derivative and cartoonish drug cartel family, he comes off as thick and naive, because to keep the plot going that’s what the writing needs him to be.

The inconsistencies mount in a generally unconvincing series. But the cast is so much better than the material. Melissa George is a standout as the pained mother who often stays silent but says so much more with the tremors in her lips. The young Logan Polish is striking as Dina, the emotionally vulnerable teen whose eyes constantly scan and search as if trying to find something or someone that can make her feel secure, or at least tell her what’s going on.

  • The Mosquito Coast starts on Apple TV+ on 30 April

• This article was amended on 29 April 2021 to correct the setting for the 1986 movie version of The Mosquito Coast.

Contributor

Radheyan Simonpillai

The GuardianTramp

Related Content

Article image
Acapulco review – Apple’s Spanglish comedy is a feelgood fiesta
Picking up the cheerful TV baton from Ted Lasso, this bilingual series offers a wholesome holiday to a candy-coloured 80s Mexico filled with possibility and soapy drama

Rebecca Nicholson

08, Oct, 2021 @8:00 AM

Article image
Ted Lasso review – Apple's soccer sitcom plays an unfunny old game
Jason Sudeikis is the American coach of a British football team in a middling fish-out-of-water comedy that never finds its footing

Benjamin Lee

13, Aug, 2020 @7:00 AM

Article image
How did The Morning Show become the messiest show on TV?
In its second season, the star-studded Apple TV drama is a chaotic, uneven and ham-fisted yet compulsively watchable rumination on workplace ethics amid the pandemic

Adrian Horton

20, Oct, 2021 @5:14 AM

Article image
Trying review – infertility proves fertile ground for laughs
Rafe Spall and Esther Smith are brilliant as the couple considering adoption – and rising above the absurdities of their painful plight

Lucy Mangan

01, May, 2020 @8:00 AM

Article image
Amazing Stories review – Spielberg anthology is full of heart
Apple has rebooted the director’s hit 80s sci-fi show. It might not be on trend, but it has optimism and nostalgia at its core

Lucy Mangan

06, Mar, 2020 @9:00 AM

Article image
Physical review – Rose Byrne’s fitness guru fails to get the pulse racing
It’s all pain, no gain as a hippy housewife turns to VHS-era aerobics in this Spandex-clad dramedy from Apple TV+

Lucy Mangan

18, Jun, 2021 @8:00 AM

Article image
Stillwater review – panda pleasures, with a side order of mindfulness
Apple TV+ has hit the jackpot with a new children’s animation that delivers wholesome morals via dreamy visuals

Ellen E Jones

04, Dec, 2020 @9:00 AM

Article image
Visible: Out on Television review – a fabulous history of small-screen gayness
With jaw-dropping old clips and starry talking heads from Ellen to Oprah, this series shows how far LGBTQ representation has come – and the power TV has to make change

Rebecca Nicholson

14, Feb, 2020 @9:00 AM

Article image
Level up! Mythic Quest is the TV video game adventure that just keeps getting better
It may not be a nerdfest of Silicon Valley proportions, but – like the best games themselves – Apple TV+’s new comedy starring Rob McElhenney will soon have you hooked

Stuart Heritage

07, Feb, 2020 @6:00 PM

Article image
‘It has stood the test of time’: was 1971 the greatest year in music?
In Asif Kapadia’s new Apple TV+ docuseries, the music of the year, and its cultural and political impact, receives much-deserved attention

Charles Bramesco

22, May, 2021 @6:35 AM