Whistle Down the Wind review – outstanding production of the Lloyd Webber musical

Watermill, Newbury
Tom Jackson Greaves thrillingly fuses movement with music in his revival of Andrew Lloyd Webber’s Louisiana-set take on the classic 60s film

Many will remember Whistle Down the Wind from the 1961 film starring Hayley Mills as the young girl who mistakes Alan Bates’s injured criminal on the run for Jesus Christ. She hides him in the family barn, where she and her siblings and other children bring him gifts and ask him for Bible-style stories. Andrew Lloyd Webber’s 1996 musical relocates the action from rural Lancashire to steamy, late-50s Louisiana (the musical palette smudges bluegrass, rock, ballads, gospel; Stuart Morley’s arrangements). With lyrics from Jim Steinman, whose writing credits include Meat Loaf’s Bat Out of Hell, the feel is less Sunday school, more gothic noir.

In Tom Jackson Greaves’s tightly honed production, the tonal contrasts are most stark (and moving) in the pre-interval crescendo scene: children gather in the barn around The Man (whom they believe is Jesus), singing a gentle, chiming lyric, “The demons are gone, The young are strong”. Meanwhile, circling adults in the world beyond menacingly pound a heavy-on-the-bass, revivalist number, “You’ve got to wrestle with the devil”. Elsewhere, though, the book (by Lloyd Webber with Patricia Knop and Gale Edwards) does not present oppositions so simplistically.

The 12-strong company of actor-musicians, along with six younger cast members, delivers strong characterisations of people struggling with hard choices in a gumbo world of racial tensions, religious revivalism, small-town vindictiveness and teen rebellion. All the performers are outstanding, but special mention to Robert Tripolino as The Man, Manichaean angel/devil, and to Lydia White’s girl (older than Mills’s film character), moving through childish innocence to burgeoning adolescence.

Jackson Greaves, as director and choreographer, thrillingly fuses movement with music, turning his actor-musicians into a chorus (almost in the style of Greek tragedy), expanding the world of the action, amplifying the characters’ emotions and pulling together extremes of every day and supernatural. What seems incredible becomes affectingly believable.

Contributor

Clare Brennan

The GuardianTramp

Related Content

Article image
School of Rock review – top marks for Andrew Lloyd Webber
Lloyd Webber delivers a rabble-rousing musical with a big heart and the best drilled young actors this side of Matilda

Susannah Clapp

20, Nov, 2016 @7:55 AM

Article image
Amélie the Musical review – a rocking realisation of the film
Clever staging and warm performances make this adaptation of Jean-Pierre Jeunet’s film a visual treat

Clare Brennan

21, Apr, 2019 @7:00 AM

Article image
The week in theatre: Cinderella; Carousel – review
Andrew Lloyd Webber’s new musical, sparkily scripted by Emerald Fennell, goes to the ball at last. And Carousel gets a salty reworking

Susannah Clapp

22, Aug, 2021 @9:30 AM

Article image
Evita review – a work of screaming fun
A refreshing and funny take on Andrew Lloyd Webber’s musical

Hannah Jane Parkinson

11, Aug, 2019 @7:00 AM

Article image
Sunset Boulevard review – sandblasting panache from Glenn Close
A glittering Glenn Close is ready once again for her close-up as Norma Desmond

Susannah Clapp

10, Apr, 2016 @7:00 AM

Article image
The week in theatre: Aspects of Love; Rose; The Shape of Things – review
A superb cast, including opera star Danielle de Niese, elevates Andrew Lloyd Webber’s plodding 80s musical; Maureen Lipman gives a one-woman masterclass; and Neil LaBute’s romcom gets a sharp, funny revival

Kate Kellaway

04, Jun, 2023 @9:30 AM

Article image
Whistle Down the Wind review – fiery revival of Lloyd Webber’s unloved show
New production reshapes the 1996 original set in rural Louisiana as a taut fable of faith and fear

David Jays

01, Aug, 2022 @9:00 AM

Article image
Andrew Lloyd Webber working on Profumo musical
Composer reveals he is considering 1960s sex-and-politics scandal as subject for his next musical

Matt Trueman

27, Feb, 2012 @12:29 PM

Article image
The Wizard of Oz; Million Dollar Quartet; Great Expectations; And the Rain Falls Down – review

Andrew Lloyd Webber makes plenty of new friends for Dorothy as 50s rockers reunite and Dickens crosses to India, writes Kate Kellaway

Kate Kellaway

06, Mar, 2011 @12:04 AM

Article image
Andrew Lloyd Webber reveals collaborators on Profumo musical
Composer to team up with Sunset Boulevard's Don Black and Christopher Hampton on new musical about 60s sex scandal

Matt Trueman

20, Dec, 2012 @3:28 PM