Why this year's Tony awards lacked that Broadway magic

With most of the awards landing in predictable hands and a host who failed to add the requisite pizzazz, the annual Broadway love-in felt rather flat

The 2019 Tony awards began with James Corden slumped on a sofa in a schlubby sweatshirt. A man who left theater for network TV, he sang an opening number extolling Broadway over binge-watching: “Trade the remote for the near, leave your couch and travel here.”

If only it were that easy. Maybe he has more luck in the online lotteries? But the Tonys are TV, of course, and this year’s awards, built for the small screen, sometimes felt small, too.

For those watching at home, this year’s ceremony – pleasant, politic – rarely seemed especially live. As predicted, the big awards went to Anaïs Mitchell’s Hadestown and Jez Butterworth’s The Ferryman, with acting nods for Elaine May, Bryan Cranston, Stephanie J Block and Santino Fontana. With few surprises or flukes or foibles, the broadcast rarely made the case for the particular enchantment of live art. Presenter after presenter insisted on theater’s verve and hipness, the endless ads targeting high cholesterol and rheumatoid arthritis suggested otherwise.

Although this Broadway season broke several box-office and attendance records, several of Corden’s numbers communicated an anxiety about how much theater matters, like that opening song, in which the stars of this year eventually admitted they watch all the streaming shows, too. And without the occasional job as a Law & Order corpse, they’d never pay the rent. Another number, the best of the night, an uncredited tribute to Be More Chill’s lavatory power ballad, Corden hid in the bathroom, overwhelmed by anxieties about the show’s quality. A third routine posited that theater would be more popular if its stars feuded. Laura Linney and Audra McDonald nearly came to blows.

Andre De Shields accepts the award for best performance by an actor in a featured role in a musical for Hadestown.
Andre De Shields accepts the award for best performance by an actor in a featured role for Hadestown. Photograph: Charles Sykes/Invision/AP

When it came to the awards themselves, the punches landed as expected, though some experimental work, like Hadestown and Oklahoma!, won out over more traditional fare (an encouraging signal). Then again, some didn’t. The Ferryman, a sprawling, meaty work about the Troubles took home best play and a directing award for Sam Mendes, beating out the gorgeous, necessary What the Constitution Means to Me. Like Oscar voters, Tony voters skew older and more conservative when it comes to questions of form. Still, the night’s big winner, with nine awards, including best score for its creator, the folk musician Anaïs Mitchell, and best direction of a musical for Rachel Chavkin, was Hadestown, a swoony, bluesy, sui generis retelling of the Orpheus and Eurydice myth. It beat out more conventional offerings, the jukebox musical Ain’t Too Proud, the movie adaptations Tootsie and Beetlejuice, the tepid heart-warmer, The Prom.

Voters also honored Daniel Fish’s experimental staging of Oklahoma!, which laid bare the violence at the core of America’s frontier narrative, In what was maybe, sort of, almost a surprise, The Boys in the Band took home best revival, despite having closed in August. Its author, Mart Crowley, now 83, accepted, honoring the original, who had defied their agents to take the roles.

It was an especially good night for Broadway’s senior set, with Elaine May, at 87, winning her first Tony, for her performance as a woman with Alzheimer’s in Kenneth Lonergan’s The Waverly Gallery. André De Shields, at 73, wearing a tuxedo jacket that looked like it was made of stardust and dreams, won the first Hadestown Tony of the night. He plays Hermes, the god who guides souls between earth and the underworld and with that same supervisory spirit, he offered three maxims to speed us on our own journeys: “Surround yourself with people whose eyes light up when they see you coming. Slowly is the fastest way to get to where you want to be. The tip of one mountain is the bottom of the next so keep climbing.” (That is not actually true of mountaineering, but when De Shields said it it sounded convincing.) And Bob Mackie at 80, won for his Cher Show costumes.

Of course, as the Tonys once again distributed design nods off screen, audiences at home missed Mackie’s acceptance. Only 16 awards were actually presented on screen, an average of about five per hour. In fairness, high cholesterol can be a real problem.

Ali Stroker performs a song from Oklahoma!
Ali Stroker performs a song from Oklahoma! Photograph: Theo Wargo/Getty Images for Tony Awards Productions

This year, producers asked the playwrights to briefly introduce their plays, a feat accomplished with more and less skill – Butterworth skipped his chance in order to become the Broadway wife guy – which didn’t play especially well. Only nominated shows provided production numbers, though a late and cringing sequence paired the Moulin Rouge cast with King Kong. Some shows (Tootsie, Kiss Me Kate) chose the wrong songs, others chose the right ones, then staged them unpersuasively and overemphatically. Exceptions include the excerpt from Choir Boy, the swinging lights of Hadestown and Ali Stroker’s brash I Cain’t Say No, from the sexy, trenchant Oklahoma! that took home best revival, which saw her boot-scootin’ in her wheelchair. Stroker, resplendent in a daffodil gown, dedicated her award to “every kid who is watching tonight who has a disability, has a limitation, who has a challenge, who has been waiting to see themselves represented in this arena, you are”.

Most speeches stayed personal rather than political, with Fontana, a winner for Tootsie, thanking his grandma, and Block, a winner for The Cher Show, acknowledging the “goddess Cher”. Bryan Cranston, a winner for Network, tried out a joke about a straight white man finally catching a break that he seemed to fine funny.

In the evening’s most bracing speech, Chavkin, who won for her direction of Hadestown (two years after she should have one for Great Comet), accepted her award by saying she wished she weren’t the only woman directing a musical on Broadway this season, and criticizing the lack of diversity in theater.

“There’s so many women and artists of color ready to go,” she said. “It is a failure of imagination by a field whose job it is to imagine how the world could be.”


Alexis Soloski

The GuardianTramp

Related Content

Article image
Tony awards 2020: unusual Broadway year leads to restricted nominations
A year on stage cut short by the Covid-19 pandemic has resulted in a delayed and truncated set of nominations with Moulin Rouge, Jagged Little Pill and Slave Play out in front

Benjamin Lee

15, Oct, 2020 @4:46 PM

Article image
Tony awards 2021: Moulin Rouge! triumphs in a Broadway celebration
The adaptation of Baz Luhrmann’s musical picked up 10 awards in a ceremony that also acted as a comeback for New York theatre

Benjamin Lee in New York

27, Sep, 2021 @4:06 AM

Article image
Best quotes from the Tony awards 2016: 'If I didn't deserve it, this would be embarrassing'
From Sheldon Harnick accepting his lifetime achievement award to James Corden’s dad’s advice to his son, here are the best lines from this year’s Tonys

Alex Needham

13, Jun, 2016 @9:41 AM

Article image
Tony awards 2016: Hamilton musical adds 11 Tonys to Pulitzer prize
Lin-Manuel Miranda’s blockbuster musical dominates the Broadway ceremony, while attendees pay tribute to those murdered in Orlando shooting

Alex Needham

13, Jun, 2016 @10:18 AM

Article image
Tony awards 2019: nominations reveal snubbed stars and dark themes
With a refreshing embrace of both experimental plays and difficult themes, this year’s nominations offer up an interesting, hard-to-predict race

Alexis Soloski

30, Apr, 2019 @3:28 PM

Article image
Tony awards 2017: big stars dominate nominations while surprising snubs sting
Bette Midler, Cate Blanchett and Kevin Kline provide some A-list glamour for this year’s nominations, but there’s no love for Amélie and Significant Other

Alexis Soloski

02, May, 2017 @3:42 PM

Article image
Tony awards 2019: folk musical Hadestown triumphs while Brits win big
The mythic musical was the night’s big winner but Sam Mendes and The Ferryman also made an impression in a diverse ceremony

Benjamin Lee in New York

10, Jun, 2019 @3:37 AM

Article image
Tony awards: The Band's Visit and Harry Potter triumph in politically charged ceremony
Parkland students perform as drama teacher Melody Herzfeld receives award

Joanna Walters

11, Jun, 2018 @5:52 AM

Article image
The Tonys are finally coming! What do this year's nominations tell us?
A strange year for Broadway, with fewer shows than usual eligible for major awards, has brought up an equally strange, if intriguing, set of nominees

Alexis Soloski

15, Oct, 2020 @7:03 PM

Article image
Tony awards: everything you wanted to know about the Broadway bash

David Cote: As US TV braces itself for this year's Tonys, find out why they are seven hours long, who might give an embarrassing speech, and whether James Corden can beat Philip Seymour Hoffman

David Cote

08, Jun, 2012 @1:28 PM