Leave to Remain review – spirited gay-marriage musical from Kele Okereke

Lyric Hammersmith, London
In Okereke and Matt Jones’s play, directed by Robby Graham, the story, song and movement are seamlessly integrated

The title suggests we’re in for an evening advocating a second referendum. In fact, this is a musical about gay marriage jointly written by Matt Jones, who has scripted countless TV shows from Stan Lee’s Lucky Man to Doctor Who, and Kele Okereke, frontman for the rock band Bloc Party. With the aid of director/choreographer Robby Graham, they have created that rare thing: a spirited British musical in which story, song and movement are seamlessly integrated.

The plot swiftly shows how Obi, who is in digital marketing, and Alex, a visa-less American ex-addict, meet, fall in love and cohabit in a Shoreditch warehouse. Marriage seems the answer to Alex’s residential issues but brings with it the problem of how to tell the parents. Since Obi has long been estranged from his dad, a strict, first-generation Nigerian immigrant, and Alex has deliberately fled his domineering American mum, the confrontation with family is fraught. The best scene shows the attempt at a conciliatory dinner party in which past traumas are re-enacted and ends with Obi’s Bible-reading dad hilariously announcing: “I want to put it on record that I behaved impeccably.”

Outlaw the in-laws ... Leave to Remain.
Outlaw the in-laws ... Leave to Remain, designed by Rebecca Brower. Photograph: Tristram Kenton/The Guardian

The wedding-eve crisis itself is over-extended, leading you to wonder why Obi faithfully sticks with the angsty Alex. The virtue of the show lies in its ability to explore ideas through music and movement: one number, a hymn to family, shows the cast rhythmically swaying to Okereke’s electronic score while looking as if at any moment they might fall off their precariously placed chairs.

Instead of using dance as a form of ecstatic diversion, Graham suggests life itself is choreographed, with the cast evoking urban frenzy as they propel the sleekly sliding screens of Rebecca Brower’s set. Tyrone Huntley catches Obi’s wounded solitude exactly, Billy Cullum reconciles one to the flaky Alex and there is sure-footed support from Cornell S John as Obi’s authoritarian dad and Johanne Murdock as Alex’s manipulative mum. If this lively show has a message it is that one recipe for a happy marriage, whether gay or straight, might be to outlaw the in-laws.

• At Lyric Hammersmith, London, until 16 February.

Contributor

Michael Billington

The GuardianTramp

Related Content

Article image
Kele Okereke fears sacking from Bloc Party
Singer concerned he has been fired after chancing across bandmates rehearsing without him

Sean Michaels

21, Sep, 2011 @11:44 AM

Article image
Fun Home review – Bechdel memoir takes stage musical in new directions
This adaptation of Alison Bechdel’s graphic novel is a beautifully performed mix of memory-play and strip-cartoon

Michael Billington

28, Jun, 2018 @11:20 AM

Article image
Kele Okereke: Fatherland review – goodbye disco, hello folk
(BMG)

Paul Mardles

08, Oct, 2017 @7:00 AM

Article image
Kele Okereke webchat – your questions answered on protest music, Pixar films and #GrimeForCorbyn
The Bloc Party frontman is about to release his third solo album, inspired by becoming a father – he’s in the office to answer your questions

Guardian music

07, Jul, 2017 @12:08 PM

Article image
Fosse/Verdon review – scenes from a toxic marriage of musical equals
Sam Rockwell and Michelle Williams have undeniable chemistry as the choreographer Bob Fosse and dancer Gwen Verdon, but this jumbled eight-hour series lacks a point of view

Lucy Mangan

02, Aug, 2019 @9:40 PM

Article image
Bare: A Pop Opera review – passion and fear in gay school romance
Staging issues and noisy distractions mar a coming-of-age musical that offers tantalising flashes of fervour

Miriam Gillinson

28, Jun, 2019 @9:00 PM

Article image
Musik review – Pet Shop Boys' musical evokes Warhol, Dalí and Nico
Frances Barber stars as Zelig-like chanteuse Billie Trix, in this one-woman spinoff from the band and Jonathan Harvey’s 2001 musical Closer to Heaven

Mark Fisher

08, Aug, 2019 @10:14 AM

Article image
Roy Orbison musical from & Juliet creators to open at Leeds Playhouse
In Dreams, a jukebox show written by David West Read, will use back catalogue of ‘the Big O’ to tell fictional story of female singer

Chris Wiegand Stage editor

15, Nov, 2022 @6:00 AM

Article image
The Curious Case of Benjamin Button review – folk musical beats the movie
A stunning cast sing, play and even puppeteer as the life-lived-backwards tale is relocated to Cornwall in ingenious style

John Lewis

20, May, 2019 @10:02 AM

Article image
On Your Feet! review – Gloria Estefan musical digs deeper than her hits
Christie Prades is superb as the Cuban-American singer in a rags-to-riches story charged with sociopolitical significance

John Lewis

27, Jun, 2019 @10:00 PM