Events While Guarding the Bofors Gun – review

Finborough, London

It is 10 years since the playwright John McGrath died; 46 since this play was last seen in London. Both the man and his work are honoured in this superb revival by Robert Hastie of a piece that, like Arnold Wesker's Chips with Everything, uses National Service to expose the futility of our so-called military preparedness.

McGrath sets the action in the British zone of Germany in 1954. A nervous 18-year-old, Lance-Bombardier Evans, is put in charge of a group of six gunners whose mission is to guard an obsolete weapon. Evans simply wants to get through the night without incident but he is tested to the limit by a manic Irishman, O'Rourke, who gets blind drunk in the knowledge that, if he is put on a charge, Evans's return home on leave will be ruinously delayed.

What's impressive is how many interwoven conflicts the play contains. Evans's innocence is pitted against the collective experience of the disgruntled gunners; among the soldiers there is also tension between north and south, English and Irish, Protestant and Catholic. But behind the play lurks the big issue of what these men are doing in Germany. O'Rourke subversively asks: "Is it tonight we are expecting the Russians to attack?" And it is he who eventually points out the absurdity of defending a weapon that would be useless in the event of war.

Charles Aitken brilliantly invests O'Rourke with a mix of fierce intelligence, sardonic humour and wild self-destructiveness. Phil Cheadle as a bitter Ulsterman and Michael Shelford as a narcoleptic west countryman also stand out, and Lee Armstrong nicely conveys Evans's fumbling naivety. The production is as good as anything you will find in London theatre. And it's salutary to be reminded that McGrath was one of our finest postwar political dramatists.

Contributor

Michael Billington

The GuardianTramp

Related Content

Article image
The Train review – ramshackle musical about Irish women's battle for contraception
Arthur Riordan and Bill Whelan explore a key moment in the unshackling of Irish church and state in an unsophisticated yet necessary show

Lyn Gardner

08, Oct, 2015 @3:11 PM

Article image
The Living Room – review

Graham Greene's 1953 play still has plenty to say about Catholicism, sex and guilt, writes Michael Billington

Michael Billington

13, Mar, 2013 @6:17 PM

Article image
Liolà – review

Richard Eyre's staging of the lusty Pirandello village comedy is nuanced, yet its Irish accent is ultimately discomfiting, writes Michael Billington

Michael Billington

08, Aug, 2013 @12:24 PM

Article image
Once a Catholic – review

Guilty of the very intolerance it condemns, Mary O'Malley's 1977 convent school drama – here directed by Kathy Burke – is a jolly but nonetheless flawed affair, writes Michael Billington

Michael Billington

28, Nov, 2013 @5:23 PM

Article image
Our Boys – review
This play set in a military hospital is well acted but lacks anger at the way disabled servicemen are thrown on the scrapheap, writes Michael Billington

Michael Billington

04, Oct, 2012 @4:59 PM

Article image
Acts of penance? Why Irish theatre is still obsessed with Catholicism
Mark Fisher: A spate of plays dealing with religious oppression in the country is a reminder that we can take years to process collective trauma

Mark Fisher

17, Oct, 2011 @11:58 AM

Article image
The Cheviot, the Stag and the Black, Black Oil review – buoyant revival of a Scottish classic
John McGrath’s 1973 play uses ceilidhs and hoedowns to tell the shocking tale of the exploitation of Scotland’s natural resources

Michael Billington

21, May, 2019 @1:45 PM

Article image
The Events – Edinburgh festival 2013 review
David Greig came in for criticism for visiting Norway to research this play about a mass murder, but the result is quiet, compassionate and restrained, writes Lyn Gardner

Lyn Gardner

05, Aug, 2013 @3:27 PM

Article image
Vardo review – a graphic tour of Dublin’s desperate underbelly
The final part of Anu Productions’ local-history cycle leads audience members through disturbing scenes featuring sex workers and stranded immigrants, writes Helen Meany

Helen Meany

02, Oct, 2014 @12:08 PM

Article image
Donegal review – Frank McGuinness's ballad for a singing, squabbling family
Musician Jackie returns to his manipulative kin in Ireland, but a terrific cast can’t quite make us care about their various resentments

Lyn Gardner

12, Oct, 2016 @9:30 PM