Proms 2013

Wagner: Parsifal CD review – Elder brings a measured approach but a glorious final act
(Hallé, four CDs)
Andrew Clements
31, May, 2017 @2:00 PM

A quiet word about classical concert etiquette
Who says classical music must be enjoyed in silence? Despite a summer of mobiles, coughs and even a misfiring hearing aid, Kate Molleson refuses to join the tutters
Kate Molleson
10, Sep, 2013 @6:03 PM

Letters: Three cheers for Marin Alsop
08, Sep, 2013 @8:00 PM

Prom 74: VPO/Maazel – review
Opening for the Vienna Philharmonic, Klaus Sonnleitner made gleeful use of the Royal Albert Hall's beast of an organ, writes Erica Jeal
Erica Jeal
08, Sep, 2013 @2:15 PM

Prom 75: BBCSO/Alsop – review
Marin Alsop's historic occupancy of the podium for the Last Night of the Proms energised the event musically and politically, writes Martin Kettle
Martin Kettle
08, Sep, 2013 @12:57 PM

Last Night of the Proms – review
Royal Albert Hall, London
Fiona Maddocks
08, Sep, 2013 @5:56 AM

American Lulu; Prom 68; Proms Chamber Music 8 – review
Fiona Maddocks
07, Sep, 2013 @11:07 PM
The Proms' photographer's best pictures from the 2013 season
Chris Christodoulou has been the Proms' inhouse photographer, capturing the artists and the atmosphere, for over 30 years. We asked him to pick his favourite shots from this year's season, and tell us why
06, Sep, 2013 @2:57 PM

Prom 72: OS di Milano Giuseppe Verdi/Zhang – review
Well-performed operatic chunks couldn't make up for the lack of Verdi in this year's Proms – but the Tchaikovsky was electric, writes Tim Ashley
Tim Ashley
06, Sep, 2013 @11:10 AM

Prom 71: BBCSO/Vänskä – review
Górecki's famous Third Symphony was spellbinding, writes Martin Kettle
Martin Kettle
05, Sep, 2013 @12:29 PM

Proms 69 & 70: Oslo PO/Petrenko, BBC Singers/Hill – review
Vasily Petrenko delivered a Beethoven/Bruckner double bill while David Hill drew a magical performance from the BBC Singers, writes George Hall
George Hall
04, Sep, 2013 @12:59 PM

Imogen Cooper, pianist – portrait of the artist
The Mozart and Schubert specialist talks about sitting under the family piano as a three-year-old, making a career by following what she loves – and why she hates backhanded compliments
Interview by Laura Barnett
03, Sep, 2013 @5:00 PM
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