Nova Twins review – the loudest, most exciting new rock band in the UK

The Moon, Cardiff
Kept from their natural habitat during the pandemic, the duo now have people crowdsurfing on the ceiling with their thunderous yet precise blowouts

Good things come to those who wait. “Are you ready to go in?” Nova Twins guitarist and vocalist Amy Love asks, safe in the knowledge that some of the people jammed in front of the stage have had tickets to this show for more than two years.

Having put out their debut album Who Are the Girls? weeks before the UK’s first Covid lockdown, the hype around Nova Twins was kept at a simmer by the feeling that, with live shows largely on the shelf, a key ingredient was missing. Here, with their neon-punk stage gear lit up in striking pinks and greens, everything falls into place.

A good rock band is a loud rock band and Nova Twins might be the loudest rock band in the UK. In a packed room, with a ceiling so low that at one point a crowd surfer appears to be walking across it, they fill every available inch of space with finely tuned, bassy heaviness. Love’s leads duck and weave against Georgia South’s undulating bass on the exhilarating opener Antagonist, the duo’s enormous pedal boards twinkling at their feet like prop cities ready for the Godzilla treatment.

Dancing on the ceiling ... A crowd surfer during Nova Twins.
Dancing on the ceiling ... A crowd surfer during Nova Twins. Photograph: Gareth Phillips/The Guardian

Backed only by a touring drummer, they dredge remarkable sounds from their instruments in the style of Rage Against the Machine guitarist Tom Morello, putting serious chops and technical wizardry to use on riffs that swerve between crushing heft and glitchy Prodigy-style blowouts. The thunderous precision of South’s work during the one-two of Play Fair and Vortex is a little like someone stopping to calculate the trajectory of the perfect swing before hitting you with a baseball bat.

Their latest single KMB – played live tonight for the first time – pairs Love’s charismatic Missy Elliott-esque flow and a monster hook with an addictive bassline, suggesting that there are further exciting twists to come on their second album. The title of Who Are the Girls? repurposed a question that followed Love and South around as women of colour in a scene still dominated by white dudes. Their answer is compelling: this is what the future looks and sounds like.

Contributor

Huw Baines

The GuardianTramp

Related Content

Article image
Nova Twins: Supernova review | Alexis Petridis's album of the week
The genre-splicing pair’s sharp, concise songwriting makes for a mindblowing blast of distorted noise-pop – and destroys the narrative about who gets to make rock music

Alexis Petridis

16, Jun, 2022 @11:00 AM

Band of Horses: Mirage Rock – review
Band of Horses up their game and sharpen their edges yet further with this focused and determined album, writes Michael Hann

Michael Hann

13, Sep, 2012 @8:58 PM

Article image
New band of the week: Nova Twins (No 119) – bass-heavy duo fusing grime and punk
Meet the riot twins bored by sex and cyberspace, in love with bringing punk rock to a new audience

Paul Lester

12, Sep, 2016 @7:00 AM

Article image
The Script review – stadium rock at its most cliched
The band have embraced a big and rather bland arena sound, but they’re still capable of delivering moments of intimacy

Dave Simpson

24, Feb, 2020 @11:32 AM

Article image
Red Bull Culture Clash review – the most exciting music on the planet
The world’s biggest musical battle saw DJs and MCs go several rounds of genre-bending sounds, but the dancehall label Mixpak proved to be master of the form

Ben Beaumont-Thomas

19, Jun, 2016 @12:07 PM

Article image
********, ∆, †‡† ... the most unpronounceable band names ever
Whether it’s a marketing gimmick or a way to stop anyone ever talking about your band, musicians are rejecting random nouns in favour of punctuation and ancient languages

Ben Beaumont-Thomas

09, Jan, 2018 @12:04 PM

Article image
Deafheaven: Infinite Granite review – rock at its most majestically beautiful
Fifth album by San Francisco band finds intense and yes, ethereal, shoegaze taking over from black metal

Michael Hann

20, Aug, 2021 @8:00 AM

Article image
Mark Lanegan Band: Somebody's Knocking review
Lanegan’s desolate croon gets its groove on, in this rocking, relatable 11th album

Michael Hann

18, Oct, 2019 @8:00 AM

Article image
'The idea of a rock star is offensive' – meet Shame, Britain's most exciting new band
The shouty south Londoners write songs about politics, perverts, and their insecurities, and reject the laddism of the indie scene. But can they get big before they burn out?

Michael Hann

12, Jan, 2018 @6:00 AM

Article image
Drenge review – a formidable, exciting live band
The brothers and their new bassist produce an eruption of garage, grunge and space rock that turns a jam-packed audience into a heaving mass in minutes, writes Dave Simpson

Dave Simpson

21, Jan, 2015 @4:28 PM