Gabriels: the gospel-soul trio set to be 2022’s word-of-mouth hit

Jacob Lusk was an American Idol contestant who had never found his true musical identity. Now, his astounding voice powers a trio who are steeped in the richness of Black musical history

Jacob Lusk is getting a kick out of being the singer in Gabriels, the soulful, cinematic trio whose scant handful of London club shows this autumn were the buzziest gigs of the season. “This is the most authentic myself I’ve ever been,” he says down the phone from his home in California. “I can do whatever I wanna do, wear whatever I wanna wear, be who I actually am. I’m embracing me, more than I ever have before.”

He is being embraced in return. At those shows, Gabriels were greeted with a fervour befitting Lusk’s own roots in spiritual music. It felt like watching a first kiss, but between a band and an audience. “That’s not a bad analogy. To be honest, it seemed more communal than anything. The audience gave us quite a bit of energy as well, so it felt more like a love fest than a show. ‘Hey, we’re all here together, let’s have this moment together,’ more than us presenting our wares.”

The beginnings of Gabriels lie five years ago, when the choir Lusk was directing was hired to sing for a film project Ryan Hope and Ari Balouzian were working on. The three became friends, and started batting around musical ideas together. They didn’t hit on their sound – one that is woody and rich, steeped in Black American musical history, restrained but hugely emotional – until they wrote the track Loyalty, initially for a Prada ad in 2018. “That was the first time we were: ‘Oh, wow, this is our thing here.’ And then we kept writing and recording in that way and the songs came really quickly. It’s just an intersection of all the things we love and all the things we are.”

There have been a series of releases since – an album is due late next year – but it was Love and Hate in a Different Time, released at the very end of 2020, that really flew. Elton John lavished his praise on it, a song that was both melancholy and ecstatic, and it was the arms-aloft highlight of those London shows. On stage, Lusk’s voice went from yearning to preaching, from whispering to shrieking, from an earthy bass to a soaring falsetto: his is one of the most spectacular voices you will hear this year. Yet for all the testifying, for many years he was resentful of being tagged a gospel singer.

He had grown up in the Apostolic church, and was forbidden to listen to the radio – his points of reference were gospel crossover music, such as the Winans, and the jazz he was allowed to listen to at home. Then, in 2011, he was a contestant on American Idol, subject to a new set of restrictions. Here, his gospel roots were “a bad thing: you’re an R&B singer, and you’re singing about sex and love, so you can’t embrace being a Christian, too. There were all these rules and things you couldn’t do.” Gabriels, though, is “the complete opposite”.

This next year is going to see the trio fly. Those who attended the London shows left convinced they had seen one of 2022’s superstar acts, and surely the word-of-mouth hit at this summer’s festivals. That’s something Lusk takes entirely in his stride. “I want 30bn Grammys!” he says. “I want to go five times quadruple platinum. I want to play Glastonbury. I want to play Wembley. I want to do it all. But now I’m a lot more appreciative of it, and I’ve realised it’s about sharing and having moments with people. It’s not all about me.”

Contributor

Michael Hann

The GuardianTramp

Related Content

Article image
Merry Clayton: 'Gimme Shelter left a dark taste in my mouth'
The singer who backed the Rolling Stones, Coldplay and more weathered a miscarriage, then the loss of her legs in a car accident – but her new album shows she refuses to give up

Robert Ham

08, Apr, 2021 @11:10 AM

Article image
Bettye LaVette: LaVette! review – a formidable soul survivor
Every morsel of gravel is audible in the septuagenarian’s voice as, backed by a stellar band, she proves the thrill is far from gone

Stevie Chick

16, Jun, 2023 @7:00 AM

Article image
Alicia Keys: Keys review | Alexis Petridis's album of the week
The 65m-selling singer-songwriter is back with a uniquely conceived double album, but both its laidback and upbeat sides fall far short of extraordinary

Alexis Petridis

09, Dec, 2021 @11:11 AM

Article image
‘I don’t even know how to be me quite yet’: Jorja Smith on self-doubt, body positivity and her stunning second album
Living in her childhood town, the two-time Brit award winner is finally content. But, she says, insecurity still creeps in – especially after ferocious scrutiny of her appearance

Tshepo Mokoena

14, Jul, 2023 @4:00 AM

Article image
The 20 greatest concert films – ranked!
As Taylor Swift’s Eras tour reaches cinemas, with Beyoncé’s Renaissance following soon, we pick the films that best converted the live experience to the screen

Alexis Petridis

12, Oct, 2023 @2:00 PM

Article image
Jessie Ware: That! Feels Good! review – 21st-century disco packed with personality
The retro mood of Ware’s brash pop never feels like a costume, as her tight melodies, killer choruses and dry humour wear vintage details with style

Alexis Petridis

27, Apr, 2023 @11:00 AM

Article image
Through pain and joy, Tina Turner wrote herself into pop history again and again | Alexis Petridis
With her commanding stage presence and astonishingly powerful voice, unbowed even in the face of abuse, Turner lit up every phase of 20th century pop, writes Alexis Petridis

Alexis Petridis

25, May, 2023 @11:15 AM

Article image
‘People complained that I had my ass out’: all-star Glastonbury veterans advise festival first-timers
The likes of Fatboy Slim and Sophie Ellis-Bextor are used to the mud and madness, but Cat Stevens, Rick Astley and others are Glasto virgins. We pair them off to discuss what to expect

Dave Simpson

23, Jun, 2023 @4:00 AM

Article image
Adele: 30 review – the defining voice of heartbreak returns
While the topic of her divorce is all-consuming, the singer seems to be pushing gently at the boundaries of what people expect of her

Alexis Petridis

17, Nov, 2021 @1:09 PM

Article image
‘I’m just weird!’ Meet Steve Lacy, the sexed-up heir to Stevie Wonder and Prince
At just 24, the Compton-raised artist is incredibly well connected, working with stars like Kendrick Lamar and making wondrous solo tracks. He reveals the breakups, freakouts and sexuality struggles he’s faced so far

Ben Beaumont-Thomas

08, Jul, 2022 @5:00 AM