Covent Garden is living in a dream world if it thinks Domingo should perform there still

The Royal Opera must surely follow New York’s Met and abandon bookings with star tenor Placido Domingo while he faces sexual harassment allegations

Placido Domingo’s total withdrawal from the Metropolitan Opera in the wake of continuing sexual harassment allegations against him ought to mark a line in the sand for the operatic world. The problem, however, is that when the world of opera is confronted with an expanse of sand, its instinct is to bury its head in it.

From the moment the allegations against Domingo from women at the Los Angeles and Washington operas first erupted in public in August, it was clear that the 78-year-old’s performances this month at the New York Met, where he has performed since 1968, should have been put on ice. The allegations, which Domingo denies, often in very dignified language, were serious. The Met must have known that the singer’s next US performances – in Verdi’s Macbeth at the Met starting this week – could not go ahead in such an atmosphere.

And yet, the Met allowed the issue to remain unresolved until the very eve of its 2019-20 season today. Domingo remained scheduled to open the season. He came to New York and took part in rehearsals, including last Saturday’s dress rehearsal. It appears that it was only since Saturday that the issue of Domingo’s participation finally came to its inevitable head and resulted in its predictable conclusion. Meetings – some of them described as heated – between staff and the Met’s general manager Peter Gelb are said to have forced the issue. At the 11th hour, the company issued a statement saying: “The Met and Mr Domingo are in agreement that he needed to step down.”

Domingo sings Otello at the Royal Opera House in 2011.
Star turn … Domingo sings Otello at the Royal Opera House in 2011. Photograph: Tristram Kenton/The Guardian

Where do this week’s developments leave the Royal Opera House in London? Domingo is just as much of a favourite performer at Covent Garden as he is at the Met. He has been appearing there since 1971 and he is scheduled to return next summer in Verdi’s Don Carlo. But the question of his continued involvement is now an increasingly embarrassing one for the Covent Garden management. Like all the houses where Domingo still performs, the Royal Opera House love the glamour and the artistry, not to mention the ticket-price income, that Domingo brings. But Covent Garden is living in a dream world if it imagines these performances can or should still go ahead.

That is particularly pressing in the light of the news this week that one of the star tenors of the post-Domingo era has just been suspended by the Royal Opera after allegations that he groped a woman cast member on stage during a tour of Japan. The behaviour of Vittorio Grigolo, who once joked that he was a sex addict, is reported to have provoked an angry reaction from members of the chorus.

Grigolo is due to perform at La Scala, Milan, next week and at the Vienna State Opera later in October. Those houses are now caught in the spotlight. Covent Garden’s actions in the Grigolo case now pose precisely the same issues for Milan and Vienna as those of the LA Opera in the Domingo case posed for the Met, and which the Met’s actions against Domingo now also pose for Covent Garden. They simply cannot be ignored, although many will try. When Domingo appeared at the Salzburg Festival this summer after the accusations against him had broken, he was received with two standing ovations.

There is certainly room for a variety of views about the #MeToo movement and its effects. And Domingo’s status as one of the greatest tenors of all time is secure. But sexual harassment has long been a feature of the opera world as well as other workplaces, and there is no room for the view, which is still all too common, that opera houses can simply ignore it.


Martin Kettle

The GuardianTramp

Related Content

Article image
Plácido Domingo apologises to his accusers
Opera star takes ‘full responsibility’ for actions as US union concludes investigation into alleged inappropriate behaviour

Guardian staff and agencies

25, Feb, 2020 @1:29 PM

Article image
Comment: The accusations go back years – so why has the opera world rallied round Plácido Domingo?
Opera houses might have turned a blind eye to sexually predatory behaviour in the past, but no-one should be above the law

Martin Kettle

15, Aug, 2019 @12:11 PM

Article image
Nabucco review – Plácido Domingo injects star quality into drab production
The tenor-turned-baritone returns as Verdi’s Babylonian king in a musically strong but bloodless staging

Erica Jeal

07, Jun, 2016 @12:27 PM

Article image
Plácido Domingo withdraws from Royal Opera House appearances
Spanish singer facing multiple allegations of sexual harassment will not appear in Verdi’s Don Carlo in July

Imogen Tilden

06, Mar, 2020 @5:22 PM

Article image
Nabucco review – Plácido Domingo exudes charisma
In the title role, Domingo played the ageing king with captivating physicality

Fiona Maddocks

12, Jun, 2016 @7:00 AM

Article image
‘Show some respect’, Plácido Domingo urges directors after opera rape row
The great singer, whose Operalia competition comes to London next week, says stage productions need to stay close to composer’s intention

Vanessa Thorpe Arts and media correspondent

04, Jul, 2015 @9:11 PM

Article image
I Due Foscari review – Domingo is superb but elsewhere it's hit and miss
An ill-focused staging means that this new (to London) production of Verdi’s tragedy doesn’t quite gel, writes Tim Ashley

Tim Ashley

15, Oct, 2014 @9:34 AM

Article image
Yes, classical music has a harassment problem – and now's the time for change
The cult of the maestro has both nurtured great performances and led to abuses of power. The industry needs a code of conduct – and a change of culture – or its future is at stake

Jennifer Johnston

08, Dec, 2017 @7:00 AM

Article image
Conductor James Levine settles lawsuit over sexual misconduct allegations
The former musical director of New York’s Metropolitan Opera had sued the company for defamation and breach of contract

Ben Beaumont-Thomas

07, Aug, 2019 @10:58 AM

Article image
Conductor James Levine fired by New York's Metropolitan Opera
Following an internal investigation that found evidence supporting claims of sexual abuse, the Metropolitan Opera dismisses its music director emeritus – who has denied the allegations

Imogen Tilden and agencies

13, Mar, 2018 @10:34 AM