Fucked Up: Dose Your Dreams review – hardcore punks' joyful reinvention

Merge Records

Fucked Up travelled a long way from the anti-establishment punk of their first singles to the softer, classic rock-influenced tunes of 2014’s Glass Boys, but lately frontman Damian Abraham has suggested that his inimitable hardcore bark risked going from help to hindrance.

Thus, songwriter/guitarist Mike Haliechuk – whose creative visions have long differed from Abraham’s – has brought in new voices: his own, drummer Jonah Falco’s, Dinosaur Jr’s J Mascis (on the fuzzy Came Down Wrong), folk singer Jennifer Castle, up-and-coming LA indie star Miya Folick, Polaris-winning Columbian-Canadian singer Lido Pimienta and more. They either duet with Abraham or, occasionally, replace him entirely. Raise Your Voice, Joyce, featuring Abraham’s vocal interplay with Jen Calleja, could be a turbo-charged B-52s. Ironically, with his furious passion framed in a totally new context, the singer is as key to Fucked Up now as ever.

That new context is an extraordinary palette of sound. Drone rock, psychedelia, krautrock, ambient, Owen Pallett’s string arrangements, power pop, electronica, disco, techno-dub, saxophone and choral singing are mixed together as Dose Your Dreams emerges as a hardcore Screamadelica. Lyrically, the album returns to long-running fictional character David Eliade, crushed into suicidal thoughts by failing capitalism and desk-job drudgery before a sorceress sends him into astral dimensions, which may be a metaphor for the album. The 18 eclectic tracks hang together because of a gleeful joie de vivre, and are the best songs of the band’s career.

Contributor

Dave Simpson

The GuardianTramp

Related Content

Article image
Fucked Up: Dose Your Dreams review – soaring ambition
(Merge)

Phil Mongredien

07, Oct, 2018 @6:30 AM

Article image
Fidlar review – hot hooks and smartass koans from dirtbag LA punks
They sing about eating tacos and being broke, but Fidlar’s bubblegum energy takes their slacker punk close to genius

Stevie Chick

19, Jul, 2018 @12:25 PM

Article image
Slaves: Take Control review – Tunbridge Wells' ironic punks lose their appeal

Rachel Aroesti

29, Sep, 2016 @8:00 PM

Article image
Fall Out Boy: Mania review – songs to appal and appease the hardcore

Dave Simpson

19, Jan, 2018 @9:30 AM

Article image
Meat Wave: The Incessant review – anxiety and annihilation from pulse-racing Chicago punks

Kate Hutchinson

16, Feb, 2017 @9:45 PM

Article image
At the Drive-In: Inter Alia review – 00s post-hardcore heroes' thrilling return

Kate Hutchinson

04, May, 2017 @8:30 PM

Article image
The Scientists: A Place Called Bad review – exhaustive box set for cult Aussie punks

Michael Hann

11, Aug, 2016 @8:45 PM

Article image
Refused: Freedom review – Swedish hardcore provocateurs give in to gimmickry
These punky Swedes throw a thousand ideas into their comeback album, but very few of them are any good

Jamie Thomson

02, Jul, 2015 @9:15 PM

Article image
Slaves: Are You Satisfied? review – Kentish punks lose their edge on record
They’re tremendously fun live, but Slaves’ reductive racket sounds a bit self-conscious on their debut album

Michael Hann

28, May, 2015 @9:00 PM

Article image
Rolo Tomassi review – sugary post-hardcore pulverisation
After a 13 year career, the Sheffield five-piece are reaching the peak of their powers, spanning dream-pop sweetness and intense riffage

Malcolm Jack

04, Apr, 2018 @12:38 PM