Clean Bandit: What Is Love? review – underwhelming chart catnip

(Atlantic)

Clean Bandit began with an undeniable aura of nerdiness. They met at Cambridge, where two members of the original lineup led a string quartet; their first hit was called Mozart’s House and merged the composer’s work with a squelchy dance beat. However, the studious trio soon garnered a reputation for being boffins of a different variety: as the Top 10 hits and online streams racked up (to date: nine and 4bn, respectively), it became clear they had masterminded a failsafe formula for churning out chart catnip.

In fact, these pop poindexters are so adept at producing standalone hits that releasing an album feels like a formality. This second album has already spawned five singles, including three No 1s. Still, hearing these songs side by side does helpfully expose some of Clean Bandit’s methods. While their 2014 debut, New Eyes, was built around pop-house and string-section flourishes, What Is Love? draws opportunistically on more recent chart trends, namely Latin pop and diluted dancehall. It also sees the band continue their teamwork-based approach to music-making. Each track sports at least one starry guest, be it Demi Lovato or Craig David – something that happens to be a reliable indicator of chart success (collaborations make up around one-third of hit songs).

Identifying tangible reasons behind Clean Bandit’s ascent is necessary because their songs aren’t impressive enough to account for their mind-blowing stats. Melodies are frequently forced and characterless, and many songs possess an almost computer-generated quality: either riddled with counterintuitive combinations (Sean Paul singing about the sacrifices of single mothers on mega-hit Rockabye) or resembling other people’s work (the unbearably twee We Were Just Kids is steeped in Ed Sheeran-style nostalgia; the lyrics of Out at Night resemble a poor man’s Nice for What). Clearly, the Clean Bandit method still work when it comes to gargantuan sales. But by relying on individual hits rather than a cohesive artistic vision, their place in the pop firmament may prove more tenuous than it appears.

Contributor

Rachel Aroesti

The GuardianTramp

Related Content

Article image
Clean Bandit: New Eyes review – featherweight pop dance with delusions of classical grandeur

They think they can save dance music but have no hooks, songs or lyrics – just dodgy string arrangements, writes Alexis Petridis

Alexis Petridis

29, May, 2014 @2:00 PM

Article image
Clean Bandit: Britain's biggest pop group on Labour, Israel and female masturbation
The band’s reliance on star vocalists means ‘most people don’t know much about us’. But it turns out they’re more politically vocal than most pop phenomena

Michael Cragg

23, Nov, 2018 @7:00 AM

Article image
Clean Bandit review – hit-and-miss fusions as pop goes classical again
This chart-topping dance/classical outfit create some genuinely unusual hybrid sounds, and they're consistently entertaining, if occasionally a bit daft, writes Caroline Sullivan

Caroline Sullivan

11, May, 2014 @5:15 PM

Article image
Clean Bandit claim Christmas No 1 with Rockabye
Classical crossover band, featuring Sean Paul and Anne-Marie, maintain their reign at the top of the chart with a dancehall-inspired tribute to single mums

Harriet Gibsone

23, Dec, 2016 @6:00 PM

Article image
Jess Glynne: Always in Between review – earworm everywoman's predictable pop
The follow-up to Glynne’s ubiquitous debut is generic Top 40 and soul-pop finished to a high standard

Alexis Petridis

11, Oct, 2018 @11:00 AM

Article image
Clean Bandit (New band of the day No 1,668)

They're the brainy Cambridge grads with the classical strings and background in Russian cinema making groovy garage pop

Paul Lester

24, Dec, 2013 @7:00 AM

Article image
Romare: Love Songs Part Two review – experimental psychedelic love songs

Hannah J Davies

10, Nov, 2016 @9:45 PM

Article image
Mount Kimbie: Love What Survives review – electric wit and wisdom from London synth duo

Rachel Aroesti

07, Sep, 2017 @8:30 PM

Article image
Tirzah: Devotion review – quiet love stories from DIY R&B enigma
Making magic out of minimal patterns – with the help of old friend and producer Mica Levi – the singer spins alluring stories of intimacy and love

Laura Snapes

09, Aug, 2018 @11:00 AM

Article image
Hercules and Love Affair: Omnion review – relapse and recovery on the dancefloor

Alexis Petridis

31, Aug, 2017 @7:30 PM