Two directions: why Harry Styles' new song is a breakthrough for bisexual music fans

From Nicki Minaj to Katy Perry, the ‘B’ in LGBTQ has long been overlooked or exploited by mainstream pop. But the former One Direction-er’s latest track is a sign of more inclusive times

In the last few years of his career, Harry Styles has shown that he is an ally of the LGBTQ community in subtle and not-so-subtle ways. When the homophobic Westboro Baptist Church in Kansas picketed his former boyband One Direction’s concert, he responded with a tweet supporting “equal rights for everyone”. Since launching his solo career last year in a flurry of Jacobean ruffled shirts and studied Jagger-esque moves, he has danced with rainbow flags and invited queer trio Muna to support him on tour. In a new song debuted this month, Styles seemed to align himself more directly with the LGBTQ community than he had to date. Performing Medicine in Paris, he confidently roared, “The boys and the girls are here / I mess around with him / And I’m OK with it.” Fans hailed it as a bisexual anthem.

harry styles singing “here to take my medicine, take my medicine treat you like a gentleman” saved the gays

— laura♡ (@pieceofmelwt) March 14, 2018

Styles hasn’t explained the Medicine lyrics, and has never openly identified as queer. When asked about his sexuality in interviews, he has been consistently ambiguous. “I don’t feel like it’s something I’ve ever felt like I have to explain about myself,” he told the Sun last year. Even so, Medicine was an important moment for some bisexual music lovers, unaccustomed to seeing their own experiences mirrored in arena-filling pop songs. “It made me feel good about myself as a bisexual,” says Joanie, a Styles fan from Montreal. “Hearing your idol sing about your people means more than you can imagine.” Fifteen-year-old Even, who identifies as bisexual, agreed. “I think it’s really cool and brave,” he says. “There are not many male bisexual celebrities, so people think bi boys don’t exist, but they do.”

Mainstream pop has a fairly robust history of queer themes, but the “B” in LGBTQ has often been overlooked. Representation is crucial: bisexual people can be stigmatised by both straight and LGTQ communities, according to the lead author of a 2017 study, leading to “double discrimination” and putting them at higher risk of struggling with mental health issues than other LGBTQ folks. As pop culture slowly becomes more inclusive of specific marginalised identities, there’s a hunger for songs that directly speak to bisexual experiences. Now, there’s an increasing feeling that these themes need not be hidden between the lines: last March, Frank Ocean’s one-off single Chanel seemed to directly allude to bisexuality, and in the neon-soaked video for her comeback single Make Me Feel, Janelle Monáe giddily spins between male and female love interests.

According to a 2017 study, less than half of American teenagers identified as straight, and speaking directly to this audience can create loyal, lifelong fans – as long as it is sincere. Grammy-nominated R&B artist Kehlani speaks openly about her pansexual identity, and depicted sepia-filtered same-sex romance in her 2017 video for Honey; her gigs are packed with LGBTQ teens. Last year, Halsey teamed up with Fifth Harmony’s Lauren Jauregui for Strangers, an earworm that used female pronouns. “That song is so important,” says Quinn, a genderqueer bisexual fan from Tennessee. “In the past, a lot of bisexual representation has been negative or nonexistent – but I love how both Halsey and Lauren are bisexual women singing about queer romances.”

Halsey performing in Los Angeles, April 2017.
Halsey performing in Los Angeles, April 2017. Photograph: Broadimage/REX/Shutterstock

This fanbase is rightly sceptical about being exploited. Bisexual themes in post-millennium pop have often come across as queer-baiting – making a play for the lucrative support of LGBTQ audiences while avoiding the risk of alienating other (homophobic) fans. Katy Perry’s I Kissed a Girl toyed with girl-on-girl imagery with all the nuance of Nuts magazine (this year she expressed some regret over the lyrics); in Not Myself Tonight, Christina Aguilera donned Torture Garden PVC and sang of a bi-curious moment of madness (“Someone call the doctor,” she urged, “’cause I’ve lost my mind”). Nicki Minaj claimed to be bisexual at the beginning of her career, rapping about a carnivorous appetite for “kitty kat”, but later said that she did it to get attention. Jessie J said that her own bisexuality was a “phase”. It’s been historically rare for male artists to acknowledge bisexuality at all. David Bowie famously told Melody Maker in 1972 that he was attracted to men; a decade later, he called the admission “the biggest mistake I ever made.”

When artists toy with bi-curiousness to cause a stir, or reduce it to a kind of nymphomaniac pathology, they minimise the lived experiences of a community that might face specific marginalisation. Bisexual pop fans won’t stand for the crumbs they have been offered in the past, and mainstream music is beginning to evolve in line with this. “Being part of the LGBTQ community is not a joke,” says Joanie. “It’s who we are.”


Owen Myers

The GuardianTramp

Related Content

Article image
Harry Styles: Harry Styles review – ticking every box on the Take Me Seriously checklist
This post-One Direction debut is a melange of musical homages that fails to reach the heights of Styles’ idols. But one thing it isn’t is dull

Alexis Petridis

11, May, 2017 @11:01 PM

Article image
Harry Styles: Lights Up review – soulful, enigmatic return
The former One Direction member’s second solo single is laced with surprises and sounds refreshingly like nothing his British male pop peers are doing

Laura Snapes

11, Oct, 2019 @1:39 PM

Article image
Harry Styles: Fine Line review – idiosyncratic pop with heart and soul
Styles is taking his time to come into focus as a songwriter, and the results range from brisk and sunny to barbed and sly

Laura Snapes

13, Dec, 2019 @7:00 AM

Article image
Harry Styles: Harry Styles review – a diverting new direction
MOR tunes feature heavily on the One Direction man’s first solo venture, but there are some surprises lurking…

Kitty Empire

14, May, 2017 @8:00 AM

Article image
Harry Styles debuts Sign of the Times. Is he really the new Bowie?
The ex-One Direction star’s solo turn has drawn frenzied whispers of Freddie Mercury and Ziggy Stardust. This crashing ballad swaps boyband for bombast

Tim Jonze

07, Apr, 2017 @9:33 AM

Article image
Raining kiwis, Harry Styles? Best watch your song titles | Barbara Ellen
Harry Styles has been pelted with fruit after releasing his latest song. He’ll know better next time

Barbara Ellen

05, Nov, 2017 @12:05 AM

Article image
Harry Styles review – a slow start before a true star emerges for hysterical fans
Styles’ rebranding from boyband frontman to solo artist is well under way, with some caveats that would sit well on a One Direction album

Michael Cragg

14, May, 2017 @12:22 PM

Article image
Harry Styles: teen star turned serious player? | Observer profile
He was boyband One Direction’s most high-profile pin-up. But as his debut solo album proves, behind the marketing lies a smart young man

Jude Rogers

13, May, 2017 @11:05 PM

Article image
One Direction: Four review – glossy pop with hints of Springsteen
Simon Cowell’s charges take a skinny-jeaned step from bubble-gum pop to soft rock for their fourth outing, writes Tshepo Mokoena

Tshepo Mokoena

13, Nov, 2014 @7:00 PM

Article image
Harry Styles's solo debut single ends Ed Sheeran's 13 weeks at top of charts
One Direction singer’s Sign of the Times outsells Shape of You by just 3,000 copies

Tim Jonze

14, Apr, 2017 @5:00 PM