BBC Scottish SO/Volkov review – burst of Alpine air in Haas's Proms debut

Royal Albert Hall, London
The Austrian composer’s Concerto Grosso No 1 and Strauss’s Alpine Symphony were nimbly scaled by the BBC Scottish

Georg Friedrich Haas may be one of the leading composers of today, widely performed around Europe and increasingly in the US too, but until this concert by Ilan Volkov and the BBC Scottish Symphony Orchestra, his music had never been heard at a Prom in the Albert Hall. Volkov made the UK premiere of Haas’s Concerto Grosso No 1 the centrepiece of his programme, framing it with Mozart’s D major Notturno K286, with four echoing groups of strings and horns disposed around the Albert Hall, and a fine, impressively nimble account of Richard Strauss’s An Alpine Symphony.

The Strauss linked neatly with the Haas, for the soloists in the Concerto Grosso are a quartet of alphorns – the Hornroh Modern Alphorn Quartet, who gave the premiere four years ago. Haas grew up in the Vorarlberg region of Austria to which the instruments are native, but his use of them here seems less autobiographical than musical. An individual alphorn can only play the pitches from a single harmonic series, but by using four of different sizes, Haas can create microtonal harmonies, which he then superimposes on the tempered tuning of the orchestra.

The orchestral textures pulse and writhe underneath the alphorns’ chords and their occasional, almost Wagnerian, calls and fanfares, but firm harmonic ground is hard to find anywhere in this fascinating half-hour encounter. Occasionally, the music seems to get a sure footing in a compromised tonality, only to lose it again just as quickly. As the alphorns press on implacably, the orchestra tries to find an accommodation with them, a connection with their harmonic world, though by the end of the work nothing seems to have been convincingly resolved.

Contributor

Andrew Clements

The GuardianTramp

Related Content

Article image
Prom 22: BBCSSO/Manze review – sparkling rendition of two London symphonies
After some initial hesitancy, Andrew Manze drew out delicate phrasing and fine detail in this pairing of Haydn and Vaughan Williams

Martin Kettle

01, Aug, 2018 @11:19 AM

Article image
Prom 51: BBCSSO/Dausgaard review – Nørgård's extraordinary symphony finally reaches the UK
In the hands of the BBC Scottish, Nørgård’s powerful Third Symphony was astonishingly gripping, while Malin Byström brought dark beauty to Strauss

Tim Ashley

22, Aug, 2018 @9:25 AM

Article image
Prom 35: BBCSSO/Brabbins review – muscular birthday celebration
Martyn Brabbins celebrated his 60th by conducting new music based on Elgar’s Enigma Variations – commissioned from 14 composers for the occasion

Andrew Clements

14, Aug, 2019 @1:37 PM

Article image
Prom 58: BBC Scottish SO/Volkov review – thrilling and beguiling
The playing was alert and incisive in a wide-ranging programme that included Tchaikovsky and a new work by Linda Catlin Smith

Andrew Clements

03, Sep, 2019 @10:02 AM

Article image
Prom 50: BBCSSO/Volkov – review

Ilan Volkov's beautifully planned late-night programme flew the flag for new and experimental music, writes Andrew Clements

Andrew Clements

20, Aug, 2013 @2:21 PM

Article image
Prom 18: MusicAeterna/Currentzis review – more Beethoven-sounding than ever before
In his first prom, Teodor Currentzis, ever the showman, pushed his players until the Second and Fifth Symphonies sounded as radical as they must have when new

Erica Jeal

29, Jul, 2018 @11:04 AM

Prom 45: BBCSSO/Volkov – review

Few Proms commissions have been better suited to the Albert Hall acoustic than Larcher's Concerto for Violin, Cello and Orchestra, writes Guy Dammann

Guy Dammann

19, Aug, 2011 @10:09 AM

Prom 40 – BBCSSO/Volkov | Classical review
Royal Albert Hall, London
A cool, detached rendition of Stravinsky's Orpheus didn't prepare us for a surprisingly rousing Ode to Joy, writes Erica Jeal

Erica Jeal

17, Aug, 2009 @9:00 PM

Article image
Prom 46: NYJO/Armstrong/Barker review – jazzy Prom is a riot of sounds
The National Youth Jazz Orchestra swagger through works by Stan Kenton and former member Laura Jurd, plus an original arrangement of Rhapsody in Blue

John Lewis

17, Aug, 2018 @11:38 AM

Article image
Prom 17: BBCNOW/Brabbins review – affirmative, jaunty, with hints of school assembly
The Proms’ centenary-year tribute to Hubert Parry, the composer of Jerusalem, paired his tight Fifth symphony and a choral work with Vaughan Williams and Holst

Andrew Clements

29, Jul, 2018 @11:44 AM