Keaton Henson: Kindly Now review – more early-hours anguish

(Play It Again Sam)

“Who needs comfortable love?” runs one of the choruses here, signalling that singer-songwriter Keaton Henson’s romantic outlook has changed little since his breakthrough album Birthdays. Fans of that record will find much to love on this one too. There’s a similar mood of early-hours anguish as Henson’s vocals drift over minimal arrangements for piano and guitar or fuller orchestral passages. But at times his tremulous croon lets him down, sounding a little too mellifluous for the agonies he wishes to convey. It’s on less conventional tracks, where his voice gets looped (March) or lost among electronic and orchestral textures (Gabe), that the desolate atmosphere really starts to take hold.

Contributor

Ally Carnwath

The GuardianTramp

Related Content

Keaton Henson: Dear… – review
Keaton Henson's Dear… is an intense, heartsore debut, writes Hermione Hoby

Hermione Hoby

07, Apr, 2012 @11:05 PM

Keaton Henson: Birthdays – review
Keaton Henson's lacerating take on love lifts this album above the soft-focus angst of his peers, writes Ally Carnwath

Ally Carnwath

24, Feb, 2013 @12:05 AM

Article image
Pumarosa: Devastation review – brooding turbo-anguish
(Fiction)

Kate Hutchinson

17, Nov, 2019 @1:00 PM

Article image
Angel Olsen review – hear her roar
The spectral-voiced ‘queen of sad’ challanges her fans to keep up with a groove-laden assault on folksy cliche

Bernadette McNulty

23, Oct, 2016 @7:00 AM

Article image
Big Thief: UFOF review – full of subtle charm
(4AD)

Phil Mongredien

05, May, 2019 @7:00 AM

Article image
Wildwood Kin: Turning Tides review – ear-pleasing swoop and swell
Silvertone

Emily Mackay

20, Aug, 2017 @7:00 AM

Article image
Cate Le Bon: Crab Day review – whimsical, melodic sweetness
(Turnstile)

Ally Carnwath

17, Apr, 2016 @7:00 AM

Article image
Billie Marten: Writing of Blues and Yellows review – muted wistfulness
(Chess Club)

Emily Mackay

25, Sep, 2016 @7:00 AM

Article image
Fleet Foxes: Shore; Sufjan Stevens: The Ascension review – postcards from the edge
Comeback albums from two pioneers of American indie rock chime with the times in very different ways

Kitty Empire

26, Sep, 2020 @1:00 PM

Article image
Shannon Lay: Geist review – quietly elegant songs with hidden depths
Contemplative and full of subtle touches – and a Syd Barrett cover – the LA singer-songwriter’s fifth album dives deep

Kitty Empire

17, Oct, 2021 @8:00 AM