The Malaysian pianist Dennis Lee’s recording of works by Szymanowski for Hyperion won high praise for his handling of the music’s complex sonorities, and again, this time in Debussy, it is the clarity of Lee’s playing that first strikes the listener. Despite the impressionistic intent of Debussy’s piano pieces, their shifting harmonies and open pedal passages need clear direction to succeed. Jardins sous la pluie from Estampes (1903) is just such an example. Lee never lets the ceaseless raindrops wash away the contours of the piece. That same confident and yet sensitive approach imbues the first set of Images (1904) and the bubbling optimism of Deux Arabesques (1888). Hugely enjoyable.
Dennis Lee: Debussy Piano Works Vol 1 review – confidence and clarity
Stephen Pritchard
(ICSM)
Contributor
Stephen Pritchard
Stephen Pritchard has written on classical music for most of his 45 years in journalism. He was the Observer's first readers' editor, and prior to that was a managing editor and production editor
Stephen Pritchard
The GuardianTramp
