Macklemore and Ryan Lewis review – broiling agitprop and goofball braggadocio

Hydro, Glasgow
Worthy political numbers hold centre-stage, but a sprint of escalating goofiness finally takes this two-hour set over the top


Macklemore – AKA Seattle rapper Ben Haggerty – wants to celebrate and skewer high-rolling hedonism while raising social awareness. It’s a tricky balance. At this uneven show, there’s a brisk trade in T-shirts that solemnly declare: “Health Care Is a Human Right.” Equally, there’s a doolally reaction from 6,000 fans when, after his oven-fresh dad-bod anthem Let’s Eat, Macklemore yells: “Make some noise for food!”

That he can switch between cartoonish braggadocio, thorny flashes of self-doubt and surprisingly intense progressive proselytising without giving fans whiplash is testament to Macklemore’s big-tent charisma. The sumptuous, hook-laden backdrops of his production partner Ryan Lewis also provide valuable cushioning.

The pair took some heat after beating Kendrick Lamar to the best rap album Grammy in 2014, and their militaristic opening salvo Light Tunnels – taken from their new album This Unruly Mess I’ve Made – agonises over that triumph. It’s a forensic, fevered reconstruction that, in the context of this mega-gig, also usefully functions as a recap of their rapid ascent, a sort of “previously on Macklemore”.

Watch the video for Thrift Shop

They throw out their sax-powered global hit Thrift Shop surprisingly early, with Macklemore donning a plausibly freecyled leopardskin coat that’s part Huggy Bear, part Bet Lynch. Lewis hangs back by some freestanding drums, often obscured by the endless flashmob swirl of dancers and supporting players, including a topless trumpeter in a kilt.

Thanks to a roaming posse of brass players, new song Kevin floats on a colliery-band swell at odds with its caustic tale of a young man lost to prescription drugs. White Privilege II is broiling, mutating agitprop, staged with strobes that mimic lightning and rolling thunder. That Macklemore’s most politicised songs make up the centrepiece of this near two-hour performance is admirable. But it’s the final sprint of escalating goofiness – including the arrival of a mulleted superhero and a booming Idris Elba vocal cameo on Dance Off – that belatedly pushes it over the top.

• At Newcastle Arena, 22 April. Box office: 0844 493 6666. Then touring until 27 April.

Ben Haggerty in Glasgow on 13 April.
Ben Haggerty in Glasgow on 13 April. Photograph: Roberto Ricciuti/Redferns

Contributor

Graeme Virtue

The GuardianTramp

Related Content

Article image
Macklemore & Ryan Lewis – review

The pair shrug off the thrift shop pastiche for some serious rap reforming on the first stop of their European tour, writes Mark Beaumont

Mark Beaumont

11, Sep, 2013 @10:14 AM

Article image
Macklemore and Ryan Lewis: ‘Systemic racism isn’t going to get clicks’
Unrest in Ferguson led the duo to question their role in hip-hop. The result was White Privilege II, an examination of how white people view race. Will the pair’s soul-searching make fans assess their place in society, too?

Tim Jonze

12, May, 2016 @6:07 PM

Article image
Macklemore review – pop meets panto in a fight for the right to party
It’s a return to goofball silliness as the rapper’s social issues are ditched in favour of confetti, choreography and Willy Wonka outfits

Dave Simpson

02, Apr, 2018 @11:47 AM

Article image
Drake review – the boy's got everything
The Canadian star crams an impressive number of hits into his Boy Meets World show, which undulates and shimmers like a spectacular art installation

Alexis Petridis

31, Jan, 2017 @1:38 PM

Article image
Desiigner review – platinum welcome for rising rap star
The young Brooklyn rapper signed to Kanye West’s stable is honoured for hit single Panda, and enthustiastically delivers half his set from the moshpit

Caroline Sullivan

20, Nov, 2016 @3:54 PM

Article image
Travis Scott review – hip-hop renegade soars on eagle's wings
Parading his perfect abs, the ripped rapper mashes melody with skull-crushing intensity in an electrifying display of passion and control

Ben Beaumont-Thomas

03, Jul, 2017 @12:21 PM

Article image
J Hus review – shirtless stage dives and novelty dance moves
The raucous British-Gambian MC wasn’t above confronting the crowd, but what he really wanted was to get them moving in sync

Malcolm Jack

17, May, 2017 @12:24 PM

Article image
De La Soul review – storming hip-hop past, present and future
The Long Island crew stage a joyful party with fresh tunes that defy any temptation to box them as a ‘heritage’ act

Stevie Chick

12, Mar, 2017 @12:28 PM

Article image
Insane Clown Posse review – horrorcore's amiable uncles throw a cathartic carnival
Juggalos donned their makeup and descended on Tyneside to drink in a soda-soaked show that veered between creepy, poignant and nihilistically hilarious

Dave Simpson

15, Nov, 2017 @12:41 PM

Article image
Run the Jewels review – a political awakening beneath the jokes
Killer Mike and El-P are US hip-hop’s clown princes, but their serious message gets the last laugh

Mark Beaumont

03, Apr, 2017 @12:10 PM