Gwilym Simcock/Yuri Goloubev: Duo Art: Reverie at Schloss Elmau – review

(Act 9624-2)

Gwilym Simcock felt released from the unbending rigours of a classical-piano schooling by the discovery of jazz in his teens, but he has never abandoned its inspirations – and in this duo with the remarkable Russian double-bass virtuoso Yuri Goloubev, he has a partner who shares his love of 19th-century Romanticism, and with whom he shares perfect pitch, flawless execution and an improviser's imagination.

Recorded at Act Records' favourite Alpine location, Duo Art shimmers and dances with European art-music references, which surface in the elegant themes (Goloubev's nods to Schumann and Brahms are particularly unambiguous), the liquid movement of Simcock's improv phrasing, and Goloubev's astonishingly light-touch lyricism and cello-like purity.

The Russian's fast pizzicato improvisation on his own trancelike Lost Romance is breathtaking. Simcock's Shades of Pleasure opens at a playful skip but shifts mood between reflectiveness and sprinting intensity, the fast-moving Antics finds both players revelling in the driving momentum while never missing a step, and the lively Flow draws the bassist into a floating high-register tone so pristine as to be almost eerie. The prevailing lyrical elegance doesn't hamper the improv attack of either participant, though the set might be a little over-pristine and melodically orthodox for hardcore jazzers.

Contributor

John Fordham

The GuardianTramp

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