Bastille: Vs (Other People’s Heartache Pt III) review

(Virgin)

Bastille’s swelling synthrock secured them four nominations at this year’s Brit awards (they won British breakthrough), but on this mixtape they shed some of their lush vestments. As per the title, this is the third time they’ve gone slightly left-field in the company of unexpected guests, but it’s the first to be released commercially. It could have been no more than a placeholder to sate fans as they make the follow-up to their 3m-selling debut, but, to their credit, most of the eight mashups and collaborations here feel fresh, even urgent. (A ninth track featuring Bastille alone, The Driver, is a Tears for Fearsish epic that shows how effective big communal-moment ballads can be.) Angel Haze works herself into frazzled exhaustion on the electrifying goth-electronica (really) fusion Weapon; Haim and Bastille’s Dan Smith share spectral lead vocals on a jolt of new wave called Bite Down. Generally, the quirkier the union the better; when it’s Bastille versus someone closer to their own musical mindset, such as Skunk Anansie power-rocker Skin, the result is disappointing.

Contributor

Caroline Sullivan

The GuardianTramp

Related Content

Bastille: Bad Blood – review
By bolting on the merest hint of dance beats to piano ballads, Bastille's Dan Smith has spruced up a pop formula that has dominated for more than a decade, writes Michael Hann

Michael Hann

07, Mar, 2013 @9:30 PM

Article image
Bastille: Wild World review – edging Coldplay for unfeigned emotionalism
(Virgin)

Caroline Sullivan

08, Sep, 2016 @8:00 PM

Article image
Bastille: 'We've had a year of proving people wrong'

Twelve months ago, his band were only given one seat at the Brits. Now, after the worldwide success of Bad Blood, Dan Smith's band are nominated for four awards. But he makes a reluctant pop star

Peter Robinson

23, Jan, 2014 @6:00 PM

Article image
Dan Smith of Bastille: ‘I sound like a nervous wreck who hates doing this’
Their track Pompeii was one of the biggest hits of the decade but the Londoners still think they look like ‘competition winners’ when they hit the red carpet. Will their new album Wild World change that?

Dorian Lynskey

25, Aug, 2016 @12:13 PM

Article image
Bastille – review

Fists pump the air to Bastille's familiar-sounding tales of the rollercoaster between oblivion and depression, writes Dave Simpson

Dave Simpson

13, Mar, 2013 @1:37 PM

Article image
Bastille win British breakthrough act at Brit awards 2014

The London band known for their anthemic rock see off competition from Disclosure, Laura Mvula, London Grammar and Tom Odell

Tim Jonze

19, Feb, 2014 @8:29 PM

Bastille: Bad Blood – review
Bastille's debut album is predictable but redeemed by melodies and pop hooks, writes Ally Carnwath

Ally Carnwath

03, Mar, 2013 @12:03 AM

Article image
Bastille: Wild World review – wholesome arena pop
(Virgin EMI)

Paul Mardles

11, Sep, 2016 @7:00 AM

Article image
New band of the day – No 1,316: Bastille

What kind of band are Bastille? And does that really matter, when people are embracing them so readily?

Paul Lester

25, Jul, 2012 @4:09 PM

Article image
Brit awards 2014 – full list of winners

The UK music industry's big night has wrapped up for another year – here's who went home with the gongs

Guardian Music

19, Feb, 2014 @10:04 PM