Deptford Goth: Life After Defo – review

(Merok)

Several factors militate against this debut album by Daniel Woolhouse, aka Deptford Goth. There's that name – doubly off-putting and untrue: Woolhouse does not live in Deptford, nor is he a goth, exactly. Rather, this album's crepuscular jag recalls Bon Iver's For Emma, Forever Ago gone post-dubstep. If that sounds like the xx and James Blake are touchstones the size of mausoleums here – they are. For all these derivations, however, Life After Defo convinces, its downcast, sweet-bleak beauty becoming more individual with every play.

Contributor

Kitty Empire

The GuardianTramp

Related Content

Article image
Jack Garratt: Phase review – unrequited love over dubstep stylings
Jack Garratt’s debut album proves he can conjure a decent lyric and work wonders with a mixing desk

Kitty Empire

21, Feb, 2016 @9:00 AM

Article image
James Blake: Assume Form review – a big, glitchy, swooning, hyper-modern declaration of love
A love letter to his partner brimming with guest spots and west-coast vibes, James Blake’s fourth LP is a long way from his ‘blubstep’ roots

Kitty Empire

19, Jan, 2019 @2:00 PM

Article image
James Blake: 'I thrive on not knowing what's coming next'
Former dubstep DJ James Blake wowed critics and baffled dance fans with his tender 2011 debut. Now, the refreshingly frank Londoner tells Tom Lamont about the pressures of the music industry and how falling in love shaped his new album

Tom Lamont

06, Apr, 2013 @11:05 PM

Article image
Deptford Goth – review
Deptford Goth, with his sorrowful, introverted electronica, makes a rare live appearance, writes Kitty Empire

Kitty Empire

27, Apr, 2013 @11:05 PM

Article image
New band of the day – No 1,084: Deptford Goth

Daniel Woolhouse's winning mix of spectral R&B and dubstep pop is worth a listen – just don't expect Bauhaus meets Burial

Paul Lester

15, Aug, 2011 @4:19 PM

Rusko: Songs – review

Dubstep producer Rusko channels the sound of Jamaica on his second album, but the results are less than thrilling, writes Killian Fox

Killian Fox

25, Mar, 2012 @12:05 AM

Emika: Emika – review
Killian Fox is seduced by an atmospheric debut that doffs its cap to Portishead and Berlin techno

Killian Fox

01, Oct, 2011 @11:05 PM

Nero: Welcome Reality – review

This debut album has the influence of Vangelis's shimmery proggy Blade Runner soundtrack written all over it, says Killian Fox

Killian Fox

13, Aug, 2011 @11:05 PM

Article image
Jamie xx: In Colour review – larging it, for introverts
The xx’s producer reconfigures old-school house on a nuanced debut album that strips the genre of its laddishness

Kitty Empire

24, May, 2015 @8:00 AM

Article image
Mala: Mirrors review – pioneering Andean dub
(Brownswood Recordings)

Isa Jaward

26, Jun, 2016 @7:00 AM