Suk: A Summer's Tale; Prague – review

BBCSO/Belohlávek
(Chandos)

A Summer's Tale is one of three symphonic poems that Josef Suk composed in the wake of his great Asrael Symphony, which he had completed in 1906 as a memorial to his wife and to his father-in-law Dvor˘ák. Jirí Be˘lohlávek and the BBC Symphony Orchestra made a fine recording of the second poem in the trilogy, Ripening, for Chandos two years ago, but A Summer's Tale, first performed in 1909, is more expansive work, in five movements lasting about 55 minutes in this performance. The language is highly wrought – late-romantic, with just occasional hints that Suk may have been aware of the musical world that Debussy had revealed – and Suk's models were presumably were Dvor˘ák's late symphonic poems. But Suk's efforts lack the conciseness and the dramatic instincts of his mentor's. neither A Summer's Tale nor Prague, an evocation of the city and its history completed in 1904, really justifies its length, however sumptuous and grandiose the effects.

Contributor

Andrew Clements

The GuardianTramp

Related Content

Article image
Wake review – Birmingham Opera Company breathe life into Lazarus tale
With local staff, chorus and extras, BOC’s latest project offsets an uneven story with its eclectic score and unique atmosphere

Andrew Clements

15, Mar, 2018 @7:07 PM

Article image
Stravinsky: The Soldier’s Tale CD review – neat and crisp

Andrew Clements

03, Mar, 2016 @6:15 PM

Article image
Krenek: Orpheus und Eurydike CD review – Kokoschka's bitter tale is fascinating rarity
Ernst Krenek’s setting of the underworld myth, from a play by Oskar Kokoschka written after his turbulent affair with Alma Mahler, is patchy but delivered with love

Andrew Clements

30, Nov, 2016 @3:15 PM

Article image
Rimsky-Korsakov: The Tale of Tsar Saltan CD review – fairytale shimmer from St Petersburg

Andrew Clements

07, Dec, 2017 @4:00 PM

Battistelli: L'Imbalsamatore – review
Giorgio Battistelli's monodrama about Lenin's chief embalmer is a tour de force for an actor, but why does it need music, asks Andrew Clements

Andrew Clements

16, Jan, 2014 @5:34 PM

Handel: Alceste – review
These vocal and orchestral numbers don't really hang together but the Early Opera Company do wonderful things with them anyway, says Tim Ashley

Tim Ashley

12, Jul, 2012 @8:52 PM

Pfitzner: Palestrina – review
The cast is decent, if not spectacular, while Kirill Petrenko's conducting sometimes lacks the patient spaciousness the the work really needs, writes Andrew Clements

Andrew Clements

19, Apr, 2012 @9:15 PM

Article image
Lully: Phaéton – review
Druet/Perruche/ Christophe Rousset's heavenly singers and players capture Lully's fiery Versailles fantasy with rare panache, writes Tim Ashley

Tim Ashley

20, Nov, 2013 @3:30 PM

Wagner: Lohengrin – review

Karl Böhm's 1965 broadcast from the Vienna Staatsoper is real edge-of-your-seat stuff, writes Tim Ashley

Tim Ashley

08, Aug, 2013 @11:30 AM

Hindemith: Tuttifäntchen – review
Hindemith's Christmas story is slight but charming in this recording under Johannes Zurl, says Andrew Clements

Andrew Clements

12, Dec, 2013 @9:44 PM