Junior Boys: It's All True – review

(Domino)

It's an article of faith among certain bloggers that Junior Boys should be huge, but the reason they aren't is probably quite straightforward: their songs don't always match the deftness with which the Canadian duo weave cutting-edge dancefloor influences into their sound. Their last album, Begone Dull Care, highlighted the problem – as clever as ever, but lacking in hooks. Their latest was recorded after returning from an extended stay in Shanghai, and while its subtle melding of icy electronica with slick 80s R&B isn't a radical sonic departure, there's a definite sense of a band buffing what they do until it sparkles, and this time, the melodies genuinely engage you. Playtime swells and ebbs until it reaches a gorgeous coda; EP sounds like an actual hit single and the closing nine minutes of Banana Ripple offer an object lesson in how to balance dancefloor euphoria with a nagging, inescapable undercurrent of melancholy.

Contributor

Alexis Petridis

The GuardianTramp

Related Content

Junior Boys: Begone Dull Care

If you've got the patience, it's worth it, says Caroline Sullivan

Caroline Sullivan

07, May, 2009 @11:15 PM

Article image
CD: Junior Boys, So This Is Goodbye

(Domino)

Dom Passantino

07, Sep, 2006 @11:34 PM

SBTRKT: SBTRKT – review
Aaron Jerome's debut as SBTRKT hits on a stylistic precision, says Hazel Sheffield

Hazel Sheffield

24, Jun, 2011 @10:26 AM

Hyetal: Broadcast - review
Hyetal makes the move from club-friendly one-offs to full-length album with ease, says Alex Macpherson

Alex Macpherson

28, Apr, 2011 @10:20 PM

Deadmau5: 4x4=12 – review
The Deadmau5 phenomenon is based on his live shows, but Dave Simpson reckons his recorded work isn't too shabby either

Dave Simpson

02, Dec, 2010 @10:20 PM

Azari & III: Azari & III – review
There's not enough variety to Azari & III's house nostanglia, Maddy Costa says, and they could do with some self-editing

Maddy Costa

28, Jul, 2011 @10:20 PM

Submotion Orchestra: Finest Hour – review
An arts council commission for a cathedral arts project results in a decent dance album. By Dave Simpson

Dave Simpson

28, Jul, 2011 @9:20 PM

Magnetic Man: Magnetic Man | CD review
Dubstep's first supergroup is great fun, but lacks the genre's sense of unbounded experimentation, reckons Rosie Swash

Rosie Swash

07, Oct, 2010 @10:40 PM

Article image
David Guetta: Nothing But the Beat – review
David Guetta's dancefloor-friendly formula has conquered pop, but it's getting tiring, says Tom Ewing

Tom Ewing

25, Aug, 2011 @2:30 PM

Nicolas Jaar: Space Is Only Noise - review
It's a ridiculously pretentious and undanceable dance album, so why is Michael Cragg entranced by Nicolas Jaar's debut?

Michael Cragg

10, Feb, 2011 @11:59 PM