Saxophonist Mitchell, a co-founder of that iconic and long-running free-jazz band the Art Ensemble of Chicago, has devoted his later years to a kind of contemporary ensemble music that deploys the sounds free improvisers make without descending into too many cacophonic scrums. This live session, caught at Germany's Burghausen Festival in 2007, features two of the most creative young pianists in today's jazz in Craig Taborn and Vijay Iyer, plus regular Mitchell trumpet collaborator Corey Wilkes on blustery brass, with two basses, and two drummers. There are just four long pieces, exploring the leader's fondness for slow-built spontaneous relationships, and for setting up open, sparsely populated soundscapes, in which his players are encouraged to tune their ears to the smallest changes. This can make a Mitchell session an austere experience at times. But improv fans, followers of Taborn and Iyer, and those familiar with Mitchell's methods and fiercely searing sax attack will find that this subtly assembled show gets a lot out of its participants – and mixes the anticipated maelstroms of collective tussling with passages of a kind of rough-surfaced tranquillity, eloquent layering of the qualities of reeds, brass, deep strings and percussion, and some scaldingly imaginative flights from its premier-league pianists. JF
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John Fordham
John Fordham is the Guardian's main jazz critic. He has written several books on the subject, reported on it for publications including Time Out, Sounds, Wire and Word, and contributed to documentaries for radio and TV. He is a former editor of Time Out, City Limits and Jazz UK, and regularly contributes to BBC Radio 3's Jazz on 3
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