Review: Metronomy

7.5 out of 10: Gothic dance music that doesn't take itself too seriously. Excellent.

Stage: Reading, Dance stage

Time: Saturday, 3.25pm

Dress code: Black t-shirts and light boxes for neckwear.

In summary: A barrage of screeching, whirling, gothic dance music only loosely affiliated with the math-rock mantle to which Metronomy often get consigned. Joseph Mount is joined by Gabriel Stebbings on bass and Oscar Cash on the melodica, among other instruments, and despite the fact there's no live drummer, they rock harder than anyone else I've seen this weekend. Partly this is because of the bonus of playing a smaller stage: the sound is better and there aren't any volume restrictions as there are on the main stage.

Highlight: When they play You Could Easily Have Me, the sound explodes and the crowd goes wild. Closely followed by the choreographed dance moves the trio pull. Nothing more than fist-pumps and banging on chests but it humanises the band and gives the music a humorous edge that many of their peers lack.

Better than: Any fellow math-rock, techno-punk call-it-what-you-want peer band who take themselves too seriously.

Worse than: Seeing them play a later slot, when the graphics and light shows would have been shown off to their fullest.

Talking point: Excellent 1930s horror-movie styled graphics. Very Kraftwerk, but that's OK.

What he'll be up to this time next year: Remixer to the stars, Metronomy? More of the same, and he'll keep it low-key, no doubt.

Mark out of 10: 7.5

Contributor

Rosie Swash

The GuardianTramp

Related Content

Article image
Metronomy – review

Metronomy's homecoming gig was the perfect setting for their sun-kissed tales of life by the British seaside, writes Kitty Empire

Kitty Empire

23, Apr, 2011 @11:05 PM

Review: Foals

7 out of 10: Leeds, Sunday, 3.40pm. Better than many contemporaries, but not as good as they think.

Paul MacInnes

26, Aug, 2007 @4:32 PM

Review: Battles

6 out of 10: Leeds, Sunday, 8.50pm. They know how to rock, how to dance and how to loop atonal guitar riffs. Not the ideal festival fodder.

Paul MacInnes

26, Aug, 2007 @10:29 PM

Review: Jamie T

7 out of 10: Leeds, Friday, 6.52pm. He achieved that rare feat of getting a crowd of Yorkshire folk to enthusiastically chant the word 'London'. What's not to love?

Paul MacInnes

24, Aug, 2007 @8:30 PM

Article image
Review: Razorlight

Stage: Reading, Friday, 10pm. Johnny Borrell fails to be bottled off stage.

Rosie Swash

25, Aug, 2007 @2:44 PM

Review: Maps

7 out of 10: Leeds, Friday, 5.15pm. Extended to become a five-piece, this keyboard-driven band has more kick than the record. Perfect for that early-festival existential crisis.

Dave Simpson

24, Aug, 2007 @7:58 PM

Review: Cajun Dance Party

9.5 out of 10: Reading, Friday, 7.25pm. While Interpol drones, the sixth formers turn the smaller stage into their own private stadium. Something phenomenal.

Rosie Swash

25, Aug, 2007 @11:59 AM

Review: Albert Hammond Jr

5 out of 10: Reading, Friday, 10.40pm. In the shadows of the Strokes and his father, this show is unconvincing, lacking in buzz and a little boring.

Angela Balakrishnan

25, Aug, 2007 @4:20 PM

Review: Reverend and the Makers

8 out of 10: Reading, Friday, 6.25pm. Intelligent funk-punk that is as good as the best Ian Brown solo stuff, but with more intelligible vocals.

Helen Pidd

24, Aug, 2007 @9:57 PM

Review: The Shins

6 out of 10:Reading, Saturday, 3.05pm. Less a set for bobbing around to than one for lying on your back and letting your body process the Carling you've consumed.

Helen Pidd

25, Aug, 2007 @5:15 PM