PSO/Jansons, Royal Albert Hall, London

/ Royal Albert Hall, London

In the 2002 Proms, Mariss Jansons gave one of the great performances of Dvorak's New World symphony with the LSO. Twelve months later, in the first of two back-to-back Proms with his own new-world orchestra, he produced the same revelatory treatment for another fixture of the symphonic repertoire, Tchaikovsky's fourth.

Jansons makes such familiar works gleam through his pinpoint control of dynamics. In these two concerts, he achieved the most dramatic effects simply by ensuring that his musicians played at the dynamic level that all interesting composers require.

It helps, of course, to have such outstanding players as those of the Pittsburgh Symphony Orchestra, with the long history and financial backing to enable it to compete with America's best. The orchestra is very good, particularly its string section, which can do everything from the beefiest beef to the most delicate gossamer.

Over two nights, Jansons performed just four works, all staples, assuming one gives that status to Beethoven's second symphony, which rarely gets such pride of place and which was paired with the Tchaikovsky in the first concert. The Beethoven was impressively executed, but only took off in the quick-fire scherzo. Inspiration arrived in spades with the Tchaikovsky, a work that is in Jansons's blood. It crackled with tension from the moment he cued the terrifying brass fanfares which cast their shadow across the whole work. It is hard to imagine how this symphony could be played much better.

The second concert had a similar trajectory. Everything was in place in Gil Shaham's faultless account of the Mendelssohn violin concerto, but it lacked something in personality. Mahler's first symphony, by contrast, is a work awash with individuality. But Jansons never got lost in its many byways. From the opening dawn chorus to the exuberance of the final bars, this was an account that was always going somewhere. It was terrific stuff.

These were two traditional Proms evenings. The audience was right to love them, and the Pittsburgh visitors rewarded them with generous encores.

Contributor

Martin Kettle

The GuardianTramp

Related Content

RCO/Jansons, Royal Albert Hall, London

Royal Albert Hall, London

Erica Jeal

04, Sep, 2005 @11:01 PM

Bavarian RSO/Jansons, Royal Albert Hall, London

/ 4 stars Royal Albert Hall, London

Tim Ashley

02, Aug, 2004 @10:56 AM

RCO/Jansons; The Sixteen, Royal Albert Hall, London

/ 4 stars Royal Albert Hall, London

Andrew Clements

02, Sep, 2005 @11:05 PM

Article image
Prom 61: RCO/Jansons | Classical review
Royal Albert Hall, London
From Sibelius to Ravel, Debussy and Elgar, Mariss Jansons led the Royal Concertgebouw through a perfectly judged Prom, writes Martin Kettle

Martin Kettle

01, Sep, 2009 @10:30 PM

Article image
Prom 35: BRSO/Jansons – review

The Bavarian Radio Symphony Orchestra took on Mahler's huge Resurrection Symphony, a blockbuster perfectly suited to the Albert Hall, writes George Hall

George Hall

11, Aug, 2013 @2:58 PM

RCO/Jansons | Edinburgh classical review
Usher Hall, Edinburgh
The Royal Concertgebouw gave a glittering performance worthy of one of the two greatest orchestras in the world, writes Andrew Clements

Andrew Clements

31, Aug, 2010 @9:00 PM

Prom 62 - RCO/Jansons (Programme two) | Classical review
Royal Albert Hall, London
Mariss Jansons takes his exemplary Dutch ensemble to astonishing heights in their celebration of Haydn's military music, writes George Hall

George Hall

02, Sep, 2009 @9:35 PM

Benvenuto Cellini, Royal Albert Hall, London

Royal Albert Hall, London.

Andrew Clements

19, Aug, 2003 @10:15 AM

Prom 60: BBCNOW/ Hickox, Royal Albert Hall

Royal Albert Hall

Andrew Clements

06, Sep, 2003 @1:59 PM

Berlin PO/Rattle, Royal Albert Hall, London

Royal Albert Hall, London

Andrew Clements

02, Sep, 2003 @1:02 PM