Alexander Sokurov

The 100 best films of the 21st century
Peter Bradshaw, Cath Clarke, Andrew Pulver and Catherine Shoard
13, Sep, 2019 @5:00 AM

Film foundation set up by Alexander Sokurov to close after claims of government hostility
Andrew Pulver
18, Jul, 2019 @3:19 PM

Francofonia review – a wayward meditation on art, history and humanity
Peter Bradshaw
10, Nov, 2016 @10:30 PM

Venice film festival slims down and goes 'sober'
Ben Child
29, May, 2012 @10:51 AM

Faust – review
Sokurov's study on the corrupting effects of power, which won the Golden Lion at Venice, is a ponderous affair, writes Philip French
Philip French
12, May, 2012 @11:41 PM

Dark Shadows – review
Tim Burton's new vampire drama is visually arresting but rather ordinary, writes Philip French
Philip French
12, May, 2012 @11:03 PM

Faust - video review
In a clip from this week's Guardian Film Show, Xan Brooks and Peter Bradshaw review Alexander Sokurov's interpretation of the Faust legend, a hazy, dream-like retelling of the scholar's deal with the devil that won the Golden Lion at last year's Venice film festival
Xan Brooks, Peter Bradshaw, Elliot Smith, Phil Maynard and Henry Barnes
11, May, 2012 @2:03 PM

Faust – review
Peter Bradshaw: Sokurov's version of Goethe's tragedy is part bad dream, part music-less opera, with hallucinatory flashes of fear
Peter Bradshaw
10, May, 2012 @8:43 PM

Aleksandr Sokurov: Delusions and grandeur
He is the great Russian director who once shot a whole film in a single take. Aleksandr Sokurov talks to Steve Rose about Soviet spies, fallen dictators – and how he got Putin to fund his latest work
Steve Rose
14, Nov, 2011 @9:30 PM
Mother and Son
Retail: A virtual dissertation on the human condition from Russian director Alexander Sokurov.
Rob Mackie
03, Aug, 2007 @2:07 PM

Secrets of the emperor's bunker
JG Ballard applauds Alexander Sokurov's remarkable film portrait of Hirohito.
13, Sep, 2005 @7:51 AM
Russian Ark
The cinema has been around so long that the idea of a unique film is hardly credible. But Alexander Sokurov's Russian Ark has every right to the claim. It's a 96-minute film shot in one take and, almost as amazingly, it seems impossibly effortless.
Rob Mackie
28, Nov, 2003 @2:21 AM
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