Film

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After Blue (Dirty Paradise) review – a sapphic sci-fi slog
Bertrand Mandico’s kitsch erotic tale set on an all-female planet sounds more fun than it is

Wendy Ide

09, Oct, 2022 @11:00 AM

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The Cordillera of Dreams review – a poetic portrait of Chile
The Andes become a metaphor for Chile’s rocky political history in Patricio Guzmán’s highly personal film about his homeland

Wendy Ide

09, Oct, 2022 @10:30 AM

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Vengeance review – a New Yorker turns sleuth in Texas in mildly amusing comedy-mystery
BJ Novak directs and stars as a New York podcaster who travels south to investigate the death of an ex

Wendy Ide

09, Oct, 2022 @10:00 AM

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The Lost King review – Sally Hawkins saves Richard III dig drama
The team behind Philomena turn the true story of how the infamous king’s remains were found under a Leicester car park into an uneven comedy drama

Mark Kermode, Observer film critic

09, Oct, 2022 @7:00 AM

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‘We were taught to be winners’: refugee turned Olympian Yusra Mardini on the Netflix drama of her life
The swimming prowess of the Syrian Nardini sisters helped save their ​sinkingrefugee boat. Here Yusra talks about The Swimmers, the ​new film that tells their amazing story

Alice O'Keeffe

08, Oct, 2022 @2:00 PM

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Amsterdam review – don’t try to keep up
David O Russell brings plenty of pizzazz to this 1930s mystery, but the ambitious jigsaw puzzle of a plot is almost impossible to follow

Wendy Ide

08, Oct, 2022 @2:00 PM

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Secret Cinema’s new owners want to be the Netflix of live events
TodayTix eyes global expansion for UK firm known for immersive film screenings, which took a Covid hammering

Mark Sweney

08, Oct, 2022 @7:00 AM

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Streaming: the best werewolf films
Gael García Bernal’s performance on Disney+ as Marvel’s crime-fighting Werewolf By Night joins hirsute favourites from The Wolf Man to The Howling

Guy Lodge

08, Oct, 2022 @7:00 AM

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Edinburgh’s film festival changed culture. Its closure is a serious loss to cinema | Mark Cousins
Global film greats flocked to the festival because of its dedication to the art – and because they know great pictures are nothing without great picturehouses

Mark Cousins

07, Oct, 2022 @3:33 PM

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Hellraiser review – stylish goth horror remake is as sadistic as it is silly
An opulently designed, if indulgently overlong, remix of the gory 1987 chiller offers up some effectively gnarly violence

Benjamin Lee

07, Oct, 2022 @7:13 AM

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Luckiest Girl Alive review – Mila Kunis runs out of luck in flat Netflix drama
A hollow adaptation of Jessica Knoll’s 2015 novel centers on a woman whose perfect life is corroded by past trauma

Adrian Horton

07, Oct, 2022 @7:01 AM

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Jamie Lee Curtis on Halloween Ends: ‘Laurie Strode is a feminist hero’
It is 44 years since she first played Strode in the film that wrote the slasher flick template. As the franchise comes to a finale, Curtis and directors John Carpenter and David Gordon Green discuss growth, trauma – and closure

Xan Brooks

07, Oct, 2022 @5:00 AM

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