Maggie Gyllenhaal

Going for gold: where to stream the 2022 Oscar contenders

In the run-up to Sunday’s awards ceremony, here are the films, shorts and documentaries tipped for a statuette – most of which can be found online

Guy Lodge

26, Mar, 2022 @8:00 AM

The Guardian view on Jane Campion: the power of the director | Editorial

Editorial: The trailblazing New Zealander is the first woman to be nominated twice for a best director Oscar

Editorial

04, Mar, 2022 @6:22 PM

Peter Sarsgaard: ‘Have we reached superhero saturation? Probably’

He may star in The Batman, but his taste is more arthouse thrillers and experimental theatre. He discusses overacting, bad accents – and being cast as a charmer by his wife

Ryan Gilbey

25, Feb, 2022 @6:00 AM

Olivia Colman overcomes Bafta snub to take London critics’ best actress award

Colman wins prize for her role in The Lost Daughter, while Jane Campion’s western The Power of the Dog also triumphed taking home four awards

Andrew Pulver

07, Feb, 2022 @11:20 AM

A maternal truth: some women don’t love their children as society thinks they should | Rhiannon Lucy Cosslett

It’s refreshing that the film The Lost Daughter accepts the complexity of child rearing, says Guardian columnist Rhiannon Lucy Cosslett

Rhiannon Lucy Cosslett

05, Jan, 2022 @2:09 PM

How The Lost Daughter confronts one of our most enduring cultural taboos

Maggie Gyllenhaal’s directorial debut, adapted from the short novel by Elena Ferrante, unravels the myth that motherhood comes naturally to women

Adrian Horton

05, Jan, 2022 @6:03 AM

Streaming: Mubi’s First Films season and other essential director debuts

Red Road, Citizen Kane, Reservoir Dogs… some debut features feel like anything but

Guy Lodge

01, Jan, 2022 @8:00 AM

The Lost Daughter review – Olivia Colman compels in Maggie Gyllenhaal’s eerie psychodrama

Gyllenhaal’s directorial debut turns Elena Ferrante’s dark tale about a seemingly idyllic Greek beach holiday into a menacing riddle of the sands

Mark Kermode, Observer film critic

19, Dec, 2021 @8:00 AM

The Lost Daughter review – Olivia Colman shines in Elena Ferrante missing-kid drama

Maggie Gyllenhaal’s stylish directorial debut, adapted from Ferrante’s novel, is led by a central performance of real star quality

Peter Bradshaw

16, Dec, 2021 @7:00 AM

Maggie Gyllenhaal: from ‘difficult’ roles to lauded Hollywood director

With a string of plaudits for portraying complex characters, the actor is now focusing her ‘quiet fire’ behind the cameras with a stunning debut film

Wendy Ide

12, Dec, 2021 @11:00 AM

The 50 best films of 2021 in the UK, No 9: The Lost Daughter

Olivia Colman is mesmerising in Maggie Gyllenhaal’s delicious adaptation of the Elena Ferrante novel

Xan Brooks

07, Dec, 2021 @6:00 AM

The 50 best films of 2021 in the US, No 10: The Lost Daughter

Maggie Gyllenhaal’s directorial debut turns the Elena Ferrante novel into a tense psychodrama with a standout performance from Olivia Colman