Race storm erupts after Andrea Riseborough’s best actress Oscar nomination

The To Leslie star’s unexpected nomination has led to claims of exclusion of Black performers and a revival of the #OscarsSoWhite hashtag

Peter Bradshaw on To Leslie: ‘A sad country song of a movie’

The Academy Awards has found itself at the centre of race row after Andrea Riseborough’s unexpected nomination for a best actress Oscar for her performance in To Leslie, seemingly at the expense of Viola Davis for The Woman King and Danielle Deadwyler for Till.

Following the Oscars nominations announcement last Tuesday, Till director Chinonye Chukwu denounced the film industry for “upholding whiteness and perpetuating an unabashed misogyny towards Black women”, and in a lengthy comment piece in the LA Times film critic Robert Daniels wrote: “Although it’s easy to point a finger at Riseborough for taking a slot from Black women, broken systems persist when we focus our ire on individuals … what does it say that the Black women who did everything the institution asks of them – luxury dinners, private Academy screenings, meet-and-greets, splashy television spots and magazine profiles – are ignored when someone who did everything outside of the system is rewarded?”

Social media has also seen a revival of the #OscarsSoWhite hashtag which first achieved prominence in 2016 after no non-white actors were nominated in any of the performance categories.

Danielle Deadwyler in Till.
Danielle Deadwyler in Till. Photograph: United Artists Releasing/Moviestore/REX/Shutterstock

Riseborough’s Oscar nomination came largely out of the blue, as she had only rarely featured earlier in the awards season; on the other hand, both Davis and Deadwyler were nominated for the Screen Actors Guild awards, and Davis for the Golden Globes. Riseborough’s only prior nomination of significance is for the Independent Spirit awards, to be announced in March. However To Leslie’s profile was raised by a concerted campaign involving significant numbers of A-list actors, including Edward Norton, Charlize Theron, Jennifer Aniston and fellow Oscar nominee Cate Blanchett, who either hosted screenings and Q&As, namechecked Riseborough at awards ceremonies or posted on social media. To Leslie’s campaign was assisted by two PR companies, Narrative and Shelter, and appears to be self-funded, while Till and The Woman King were backed by deep-pocketed studios United Artists and Sony respectively.

The Academy of Motion Picture Arts and Sciences (Ampas), the body that organises the Oscars, announced that it will meet on Tuesday to “review” its campaign regulations, saying it wanted “to ensure that no guidelines were violated, and to inform us whether changes to the guidelines may be needed in a new era of social media and digital communication”.

Ampas guidelines on campaigning stress that it should be “conducted in a fair and ethical manner” – for example limiting the number of screenings that can be held, defining the kind of hospitality that can be offered, and banning nominees from contacting Oscar voters directly.

The success of the campaign on behalf of To Leslie also appears to have backfired on Riseborough herself, with Variety quoting an anonymous Academy member saying: “No matter what happens, her reputation is being tarnished, whether her campaign did something or not.”


Andrew Pulver

The GuardianTramp

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