Gagarine review – close encounters of the banlieue kind

This mesmerising debut about a teenager looking to fix up his Paris estate passes up the usual angry social-realism in favour of something more celestial

We are used to seeing Paris’s tough banlieues filmed with a kind of blistering verité. Think of La Haine and Ladj Ly’s recent Les Misérables – angry films about the pressure cooker caused by poverty, police racism, underfunding and official neglect. Now with their mesmerising debut, Fanny Liatard and Jérémy Trouilh bring something different to the suburbs. The pair filmed this poetic movie, with its streak of magical realism, in Cité Gagarine, a redbrick housing estate on the outskirts of Paris, just before it was demolished in 2019. Built in 1961, it was named after Yuri Gagarin, the first man in space. Which might explain why this is a movie looking up at the stars.

It opens with actual footage of Gagarin visiting in the early 60s, mobbed by a cheering crowd, showered in a confetti of rose petals. The residents beam with optimism; the estate gleams. Fast forward 50 or so years, and the place is beyond repair, with cracks in the walls, asbestos, rat infestation, and dealers in the corridors. But Gagarine is the only home that Youri (Alséni Bathily) has known; he’s a bright, space-obsessed 16-year-old with a gorgeously shy smile. And like many kids on the estate, he’s from an immigrant family. These days it’s just him and his mum, who is mostly off with her new boyfriend; but Youri is surrounded by neighbours who keep an eye on him. The film is very good at showing the community of the Gagarine without downplaying its problems. “We’re angry, but we’re happy here,” says one man to the council.

Youri has an idealistic plan to fix up the building: get the lifts working, replace lightbulbs in communal areas. Then the authorities won’t be able demolish it, will they? He sets to work with his best friend Houssam (Jamil McCraven) and Diana (Lyna Khoudri), a girl from the local Roma community. Of course, that’s not how building regs work. And when the demolition crew moves in, Youri stays put, hiding in the flat, transforming it into a mini spaceship, complete with a UV-lit greenhouse. It’s here that the storytelling takes on a gravity-defying lightness with a couple of moments that bring a Close Encounters of the Third Kind sense of wonder to the movie.

• Gagarine is released on 24 September in cinemas and on Curzon Home Cinema.

Contributor

Cath Clarke

The GuardianTramp

Related Content

Article image
La Mif review – girl power triumphs in dynamic care home drama
A cast of nonprofessional newcomers captivate in a realist drama reminiscent of Sarah Gavron’s Rocks

Peter Bradshaw

21, Feb, 2022 @2:00 PM

Article image
Saint Omer review – witchcraft and baby killing in extraordinary real-life courtroom drama
Alice Diop’s unnerving fiction feature is based on the true case of a Senegalese immigrant accused in the French court of murdering her 15-month-old daughter

Peter Bradshaw

02, Feb, 2023 @7:00 AM

Article image
France review – TV presenter Léa Seydoux is mesmeric in intriguing media satire
The star and the film’s intentional blankness add a layer of interest to Bruno Dumont’s loose reverie about a journalist experiencing an emotional breakdown

Peter Bradshaw

27, Dec, 2022 @7:00 AM

Article image
Apples review – quirky amnesia mystery is funnily forgettable
Christos Nikou’s black comedy about a plague of forgetfulness is intriguingly absurd but not as memorable as it thinks it is

Peter Bradshaw

06, May, 2021 @6:00 AM

Article image
My Little Sister review – fierce and fraught family drama
Nina Hoss and Lars Eidinger give finely acted performances as they play twins brought back together through illness – but who is saving who?

Peter Bradshaw

07, Oct, 2021 @8:00 AM

Article image
Parallel Mothers review | Peter Bradshaw's film of the week
Pedro Almodóvar’s poetic conviction and creative fluidity flow through this moving baby-swap drama about two single mothers and buried secrets from the Spanish civil war

Peter Bradshaw

27, Jan, 2022 @7:00 AM

Article image
Bad Tales review – suburban dysfunction in visceral Italian drama
Superbly shot, the D’Innocenzo brothers’ film focuses on families, neighbourly envy and the feral behaviour of men which culminates in tragedy

Peter Bradshaw

16, Feb, 2021 @11:00 AM

Article image
Moon, 66 Questions review – elusive but rewarding study of family tension
Jacqueline Lentzou’s highly anticipated debut feature follows a daughter struggling to reconnect with her ailing father

Peter Bradshaw

20, Jun, 2022 @10:00 AM

Article image
Memoria review – Apichatpong Weerasethakul and Tilda Swinton make a dream team
The Thai master’s English-language debut – about an expat attuned to strange frequencies in Colombia – more than matches his past mystic odysseys

Peter Bradshaw

15, Jul, 2021 @3:45 PM

Article image
Dead Pigs review – winding tale of life in cash-crazed Shanghai
Cathy Yan’s sprawling drama uses a real-life discovery of 16,000 porcine corpses to pick away at Chinese commercialism

Peter Bradshaw

09, Feb, 2021 @3:00 PM