Stealing Chaplin review – charm pays in messy crime caper

Sibling graverobbers spark off each other in the somewhat true story of an attempt to ransom the comedy legend’s body

At one point in Stealing Chaplin, a sozzled huckster tries to pry open a Union Jack-draped coffin as Land of Hope and Glory rings out on the soundtrack. Maybe this somewhat amateurish but spunky low-budget crime film has hit on something: in the post-Brexit era, Brits are no longer stock movie villains; conmen and chancers are our natural fits now. The hustle here is in splendidly questionable taste: the casket is Charlie Chaplin’s, whom brother grifters Cal (Simon Phillips) and Terry (Doug Phillips) have disinterred in order to ransom his body so they can pay off the $30,000 they owe to Las Vegas gangsters.

You’d be forgiven for being suspicious, but this is actually based on a true story – though the theft occurred in 1978 in Switzerland, where Chaplin is buried in real life. Director Paul Tanter juices it up into an Ocean’s 11-style caper complete with rinky-dink music playing over diner scenes as the brothers scheme and squabble. Police captain Goddard (Liliana Vargas) slowly cottons on to the fact that the shysters running a National Leprosy Day scam are also graverobbers, while a perplexing cabal of mobsters, bent cops and – why not? – the brothers’ landlady try to lay hands on the cadaver-cum-cash distributor for themselves. Best not poke around in this all-day-buffet of a plot too much.

Stealing Chaplin’s acting and camerawork are also uneven, and the smooth-talking young brother chaperoning his lost-cause older sibling feels like a cliche. But the two Phillipses (no relation) spar so enjoyably – meting out their grievances in daft minutiae such as Terry’s insistence that tomatoes were once widely considered poisonous – that lingering in their company (and some scenes do linger) is an Elmore Leonard-esque pleasure. The gap-toothed Doug Phillips, who wrote the script, is the more eye-catching performer, with a kind of off-kilter forlornness. Despite the rough edges, Stealing Chaplin has an unflagging, garrulous confidence that whisks you along.

• Stealing Chaplin is available on 6 December on digital platforms.

Contributor

Phil Hoad

The GuardianTramp

Related Content

Article image
Bandit review – shallow crime caper is saucer-eyed over real-life 1980s bank robber
Josh Duhamel charms as ‘flying bandit’ Gilbert Galvan, who pulled off nearly 60 robberies across Canada, but this light-hearted retelling lacks any insight

Cath Clarke

28, Feb, 2023 @11:00 AM

Article image
The tuneful tramp: the forgotten musical genius of Charlie Chaplin
He rubbed shoulders with Stravinsky and dreamed up beautiful film scores in his sleep. So why don’t we know more about Chaplin’s love affair with song?

Ariane Todes

16, Apr, 2019 @11:59 AM

Article image
Lucky Grandma review – gambling granny goes on fun knockabout caper
Former Bond girl Tsai Chin confounds expectations brilliantly as an older woman who gets mixed up with the Chinese mafia

Ellen E Jones

05, Nov, 2020 @1:00 PM

Article image
Can You Ever Forgive Me? review – horribly hilarious odd-couple caper | Peter Bradshaw's film of the week
Melissa McCarthy is magnificent as an odious literary forger abetted by Richard E Grant as her lounge-lizard drinking buddy

Peter Bradshaw

30, Jan, 2019 @1:00 PM

Article image
Logan Lucky review – gleeful caper has Soderbergh screeching back to big screen
Steven Soderbergh comes out of retirement with a stylish, madcap heist movie buoyed by superbly droll performances from Channing Tatum, Adam Driver and Daniel Craig

Peter Bradshaw

24, Aug, 2017 @2:30 PM

Article image
The Hustle review – Anne Hathaway kills the comedy in dire scam caper
A gender-switch reboot of Dirty Rotten Scoundrels co-starring Rebel Wilson is catastrophically unfunny

Peter Bradshaw

09, May, 2019 @4:00 PM

Article image
The World Is Yours review – brash Franco-crime caper
Isabelle Adjani and Vincent Cassel star in a carnivalesque romp peopled by the chancers and artful dodgers of France’s immigrant underclass

Phil Hoad

25, Apr, 2019 @4:00 PM

Charles Chaplin: Monsieur Verdoux

Perhaps the philosophy behind Monsieur Verdoux, Chaplin's most pessimistic and gag-free film, was simplistic. But his sarcastic and ironic gravity was astonishing for the time. Even now, it is not generally considered one of Chaplin's best films. But though not characteristic, it leaves an indelible memory

Derek Malcolm

29, Jul, 1999 @8:55 PM

Article image
Dilwale review – Shah Rukh Khan and Kajol reunite in cliched crime caper
The Bollywood stars rekindle their onscreen chemistry but in a Rohit Shetty-directed crime thriller that’s fast and infuriating

Mike McCahill

21, Dec, 2015 @5:30 PM

Article image
Was Charlie Chaplin a Gypsy?

Newly discovered letters to written Charlie Chaplin suggest he may have been born into a Gypsy community in the West Midlands. Matthew Sweet investigates

Matthew Sweet

17, Feb, 2011 @10:00 PM