Death of Me review – Thai-holiday thriller can't supply the scares

A couple wake up in their Airbnb with worrying thoughts about what happened the night before in a frustrating tale

Here is a promising idea for a scary movie that proves to be unscary and uninteresting in the most baffling, frustrating way. It starts out with a weird echo of the Hangover movies, then morphs into a variation on classic horrors such as The Wicker Man and even Rosemary’s Baby – but with none of the dark impish wit that you’d hope for with borrowings like those.

Maggie Q plays vacationer Christine, who one morning wakes from a heavy sleep in her rented Airbnb on a lovely little Thai island, alongside her equally insensible partner Neil, played by Luke Hemsworth (brother of Liam and Chris). Money and passports are missing and they can’t remember what on earth went on the previous night. A video on Neil’s camera indicates that it was something extremely disturbing, perhaps connected with the typhoon that is supposedly on its way to the island and the existence of a strange ritual ceremony involving the entire local community.

Christine and Neil do their best to forget the awful things they have seen on the video and to escape the island somehow, and they figure they can count on the Airbnb owner Samantha (Alex Essoe). But the Thai locals, with their opaque manner and incomprehensible language, are not reassuring.

Quite aside from the rather casual way Thai people are cast in the role of sinister predators and pagan conspirators, there is the dullness of the execution: moderate performances with borderline-embarrassing “What’s going on?” acting and endless drone shots over the Thai landscape. One to miss.

• Death of Me is available on digital platforms from 23 November.

Contributor

Peter Bradshaw

The GuardianTramp

Related Content

Article image
Target Number One review – gritty thriller about Canadian junkie caught in Thai sting
Antoine Olivier Pilon and Josh Hartnett are on good form as a heroin addict caught in police trap and the journalist who reports on the case

Leslie Felperin

28, Oct, 2020 @3:00 PM

Article image
Influencer review – smart thriller about Instagrammers in mortal peril
Cassandra Naud is striking if a little opaque as a predator seducing image-obsessed tourists in Thailand

Phil Hoad

25, May, 2023 @7:04 AM

Article image
Safer at Home review – gimmicky pandemic thriller feels very 2020
A strong whiff of phoniness hangs over this derivative tale of a drunken Zoom-call birthday party that gets out of hand

Cath Clarke

29, Apr, 2021 @3:53 PM

Article image
The Maid review – a giddy, gory satire that sticks it to the super-wealthy
Shadowy figures lurk in Lee Thongkham’s stylised horror, which wrongfoots the audience with jump scares aplenty

Leslie Felperin

06, Oct, 2021 @12:00 PM

Article image
Project Wolf Hunting review – Korean horror brings Bruckheimer-esque bombast
Korea’s most wanted escape their handcuffs on a cargo ship back to the motherland but find they are not alone in bloody thriller

Phil Hoad

24, Jan, 2023 @9:00 AM

Article image
Come True review – blow-out imagery in visionary sleep disorder thriller
An insomniac student is haunted by a demonic figure in this flamboyant and stylised waking dream of a film

Phil Hoad

11, Mar, 2021 @7:00 AM

Article image
The Witch: Part 2 review – Korean horror combines hi-tech and old-style ass-kicking
Gory and absorbing sci-fi sequel is part Stranger Things, part Orphan Black and all action, with a ridiculously good-looking and super-cool cast

Leslie Felperin

23, Nov, 2022 @11:00 AM

Article image
The Lodger review – Jacqueline Bisset’s slinky landlady holds key to lurid thriller
Bisset vamps it up as a white-haired femme fatale in this amusing and atmospheric French mystery

Leslie Felperin

12, Oct, 2021 @8:00 AM

Article image
The Psychic review – Lucio Fulci’s ravishing giallo thriller with nasty taste for violence
Jennifer O’Neill stars as a fabulously dressed clairvoyant in Fulci’s revived 1977 thriller that looks amazing, even if the sexual politics are dodgy

Leslie Felperin

03, Aug, 2021 @1:00 PM

Article image
Split scares away competition for US box office top spot
M Night Shyamalan’s horror beats Vin Diesel’s action thriller xXx in the race for No 1, while Monster Trucks continues its long crash and burn

Andrew Pulver

23, Jan, 2017 @3:03 PM