Once There Was Brasília review – sci-fi odyssey into Brazil's murky politics

An intergalactic refugee travels through time to modern-day Brazil in an eerie tale that has real-life corruption at its heart

Brazilian director Adirley Queirós here cobbles together something comparable, though far more lo-fi, to Wong Kar-wai’s 2046: a haunted, backwards-looking sci-fi assembled from textures of the past, which encourages you to pick through the wreckage of political ideology it strews in its wake. Wellington Abreu plays WA4, a Mad Max-style refugee from outer space who, as punishment for an illegal land occupation on his own planet, is sent to Earth to assassinate the real-life former Brazilian president Juscelino Kubitschek on the inauguration day of the capital city, Brasília, in 1961. But his ship crash-lands in the present day, in the satellite city of Ceilândia, an overflow enclave for the dispossessed that represents how the country’s utopia has been thwarted.

Once There Was Brasília has a jerrybuilt, improvisational quality that throws out moments of Terry Gilliam-esque humour: the chain-smoking WA4 sizzling meats on his in-spaceship grill; his vessel – basically an intergalactic Ford Transit – literally dropping out of the sky into the wrecking yard of Ceilândia.

The oddness also washes the film in a poetic half-light as captivating as the floodlit no-man’s lands it loiters in. Characters embark on surreal monologues, or simply sit in these interzones soaking up long political screeds as they are broadcast. It’s hard to tell if they’re apathetic or gearing up for revolt. Occasionally, Queirós’s penchant for these wearing scenes, and ambience over incident, does come across as more related to the film’s budget than anything else.

WA4 eventually teams up with two denizens of Ceilândia to overthrow the National Congress. The film clearly inhabits the scorched political landscape following the impeachment of Dilma Rousseff, but it traces the corruption back through time, framing it as just the latest “democratic rupture” in Brazil and a further deviation point from a promised gleaming future. Its underdog ethics deeply embedded in its style, this is an intelligent, disconcerting, if sometimes disjointed, piece of Afrofuturism.

Contributor

Phil Hoad

The GuardianTramp

Related Content

Article image
Bacurau review – ultraviolent freakout in Brazil's outback
This disquieting horror-style western about a town under siege from a mysterious threat is executed with ruthless clarity

Peter Bradshaw

11, Mar, 2020 @11:05 AM

Article image
Aniara review – a eerily mesmerising outer-space odyssey
Disaster leaves a public spacecraft adrift and its social order on the brink of breakdown in this cleverly pertinent sci-fi chiller

Leslie Felperin

28, Aug, 2019 @4:00 PM

Article image
Border review – into the woods for a body-horror romance | Peter Bradshaw's film of the week
Ali Abbasi’s dark drama focuses on transgression and taboo as two troubled people living on the edge of society develop a strange friendship

Peter Bradshaw

07, Mar, 2019 @11:00 AM

Article image
The Edge of Democracy review – to the heart of Brazilian politics
Petra Costa’s powerful documentary charts the state’s descent into populism and the fraying of its democratic fabric

Leslie Felperin

21, Jun, 2019 @8:00 AM

Article image
Sprinter review – speedy sporting drama runs out of puff
A Jamaican athlete’s career is jeopardised by problems off the track in this heartwarming tale of ambition and family ties

Cath Clarke

05, Sep, 2019 @11:00 AM

Article image
Fando y Lis review – Jodorowsky's freaks-and-flesh debut
Embarking on a bizarre desert quest, a mysterious couple encounter strange scenes and lots of nudity in the Chilean director’s rereleased 60s ‘happening’

Peter Bradshaw

06, Feb, 2020 @7:00 AM

Article image
A Common Crime review – chilling ghost story with a social conscience
A career woman is haunted by a teenager she could have saved from death in this masterful political thriller from Argentina

Peter Bradshaw

06, Apr, 2021 @10:00 AM

Article image
Official Competition review – Penélope Cruz on fire in delicious movie industry satire
Cruz’s eccentric director employs unorthodox techniques to manage lead actors – and polar opposites – Antonio Banderas and Oscar Martínez

Cath Clarke

24, Aug, 2022 @8:00 AM

Article image
Prayers for the Stolen review – heart-rending tale of childhood blighted by drug cartels
Ana and her friends live in a Mexican village menaced by gangs and people traffickers in this complex and subtle story

Peter Bradshaw

06, Apr, 2022 @10:00 AM

Article image
Ema review – a sexual odyssey, with flame-throwers
In Pablo Larraín’s emotional drama, a woman embarks on a bizarre journey after regretfully returning an adopted child

Peter Bradshaw

29, Apr, 2020 @5:00 PM