United Nation: Three Decades of Drum & Bass review – a raving nostalgia trip

Club entrepreneur Terry ‘Turbo’ Stone co-directs this documentary about ‘a mad old time’ of pills and illegal parties

Here’s a reasonably entertaining film about the history of drum’n’bass co-directed by club scene entrepreneur Terry “Turbo” Stone, a man (apparently) once described as rave’s Richard Branson. Stone takes the opportunity to put his own One Nation club nights at the centre of the story, which gives his documentary a self-congratulatory tone. And presumably you really had to be there to get the most out of nostalgic reminiscences from middle-aged men shaking their heads and muttering with wry smile: “It was mad old time.”

In the late 80s, Stone says he was on the dole when he got into the illegal dance party scene; a natural born hustler, he began putting on his own nights. The anecdotes from the time sound like ancient history: 30 people huddled around a phone box to get the the secret location of a party; the M25 jammed with ravers in convoy to a field near Colchester.

Like punk, a DJ explains, drum’n’bass was music your parents didn’t understand. What made it radical, says another, is that it was mixed: black and white, everyone taking pills and getting high together. Tony went legit and put on big shows. One night he hired an impersonator of the Queen, and the ravers were so off their heads they thought Her Majesty really had come to check out their banging party at 2am. The illegal scene may have been a reaction against Thatcherism by the young, unemployed and alienated but, in retrospect, flashy Terry fitted in nicely with the get-rich-quick mood of the time.

The loved-up vibe darkened as drugs changed from pills to crack and cocaine in the late 90s: “Everyone standing there looking evil.” Stone pulled together a hard-as-nails security crew to protect his nights from gangsters, a mini-army in bulletproof vests that became almost as famous as the DJs. This section gives us the priceless line: “There is a misconception that doormen are knuckle draggers. Some of the most intelligent people I’ve met were bouncers.”

Stone went on to reinvent himself in the film business, producing and starring in the guns’n’geezers franchise Rise of the Footsoldier.

• United Nation Three Decades of Drum & Bass is released in the UK on 21 February.

Contributor

Cath Clarke

The GuardianTramp

Related Content

Article image
Miley, Morrissey and Marnie the opera: the essential pop, classical and jazz for autumn 2017
Liam goes for broke, St Vincent bounces back, Nico Muhly gets Hitchcockian, Taylor Swift defends her reputation, and Peggy Seeger pens her memoirs

Alexis Petridis, Andrew Clements, John Fordham and Robin Denselow

13, Sep, 2017 @5:00 AM

Article image
Billie review – a truer, historical spin on the great Billie Holiday
Exploitation and harassment, not ‘inner demons’, brought down the singer, argues this documentary that showcases her superb voice

Peter Bradshaw

12, Nov, 2020 @11:00 AM

Article image
Hitsville: The Making of Motown review – a 60th birthday with soul
Some of the archive clips trigger goosebumps, while Berry Gordy and Smokey Robinson radiate charm in this affectionate anniversary tribute to Detroit’s influential record label

Cath Clarke

27, Sep, 2019 @8:00 AM

Article image
Gorillaz: Reject False Icons review – a swing through Damon Albarn's circus
Denholm Hewlett’s documentary is a snappy scrapbook of behind-the-scenes moments captured at the band’s recording sessions and on a world tour

Phil Hoad

12, Dec, 2019 @3:00 PM

Article image
Asbury Park: Riot, Redemption, Rock’n’Roll review – not Bossing it
A minor bit of Bruce Springsteenology, halfway between a televisual ‘classic albums’ episode and a presentation from the Asbury Park, NJ, Chamber of Commerce

Mike McCahill

23, May, 2019 @10:00 AM

Article image
Lisbon Beat review – energetic musical odyssey to the city's edge
This brief but engaging documentary celebrates Lisbon’s vibrant African-Portuguese music scene

Peter Bradshaw

17, Jul, 2019 @11:00 AM

Article image
Liam Gallagher: As It Was review – rock'n'roll rebel grows up
The charismatic swagger remains, but this disarming portrait of the former Oasis singer reveals a newfound humility

Mike McCahill

06, Jun, 2019 @8:00 PM

Article image
The Velvet Underground review – Todd Haynes doc gets under the art-rockers’ skin
With insights by the band’s former members and friends, this film takes its job seriously – even if it shies away from discordant notes

Peter Bradshaw

07, Jul, 2021 @10:05 PM

Article image
Poly Styrene: I Am a Cliché review – riveting take on British punk heroine
The X-Ray Spex singer is revealed as a mystic, rebellious working-class woman of colour in this valuable film

Peter Bradshaw

05, Mar, 2021 @9:00 AM

Article image
White Riot review – rebellion and tough truths in music's war on racism
Rubika Shah’s documentary explores Rock Against Racism, which united punk, ska, reggae and new wave against the National Front in the 1970s

Peter Bradshaw

18, Sep, 2020 @9:00 AM