Last Men in Aleppo review – gruelling portrait of a city without hope

Feras Fayyad’s heartbreaking documentary offers powerful insights into the courageous rescue work of the White Helmet volunteers

The bravery of the White Helmets in Syria is beyond dispute, but what is there left to say about them? Plus, any documentary about Aleppo is liable to seem dated within weeks. However, Last Men in Aleppo skilfully sidesteps these concerns, even if it necessarily feels like a long and depressing story of inevitable failure.

Directed by Feras Fayyad in collaboration with Danish film-maker Steven Johannessen and the Aleppo Media Centre, this documentary explores lives spent in a loop. Volunteers cast anxious looks skywards as planes fly over, embark on a series of desperate rescues, and hold long discussions about the future for them and their families. This cycle plays out and then restarts. It’s a difficult watch, and one that will end with more imminent deaths and defeat one day closer.

Fayyad doesn’t flinch from the gruesome details. We see hands, feet and other body parts in the rubble, as well as children’s gaping head wounds: there’s little break from the tears and desperation. This is a 100-minute account of lives lived in hell, without proper medicine and housing, where a gathering of friends is considered a legitimate bombing target, and where children’s hospitals are shelled. A trip to a playground offers a moment of joy, but in less than a minute, the children are begging to be taken home as jets fly over.

The film’s problem is that most of us have seen variations on this material in news reports. While we might not have seen this level of embedded access, we’ve seen enough to know what’s happening in Aleppo is distressing; Netflix’s The White Helmets is 40 minutes long, which feels about right. Some viewers will wonder if they need to spend 100 minutes seeing it all again.

Fayyad’s protagonists are engaging. They are bound by a desire to never leave the city they love, even as it disintegrates around them, and we’re with them in every rescue, even if the similarity of all the footage distances us from the action. There’s no hope, we know how this is going to end, and even a life saved temporarily feels almost as sad as a life lost. Last Men in Aleppo is one of the most difficult documentaries you’ll see this year.

There are touching moments – a boy rescued from certain death under the rubble refuses to let his lifesaver leave the house, insisting he stay for coffee. The embarrassment of his saviour is beautiful to see. But even he knows that Aleppo is not a place for happiness or gratitude.

Contributor

Charlie Phillips

The GuardianTramp

Related Content

Article image
City of Ghosts review: could be the definitive Syria documentary
Cartel Land director Matthew Heineman’s film on citizen journalist group Raqqa Is Being Slaughtered Silently reveals the reality of life in Isis territory

Charlie Phillips

27, Jan, 2017 @4:58 PM

Article image
Casting JonBenét review – magnificent provocation to the very notion of truth
Kitty Green’s avant garde documentary allows people auditioning to play JonBenét Ramsey and her family to expound their conspiracy theories about the unsolved murder of the child beauty pageant star

Charlie Phillips

24, Jan, 2017 @11:02 AM

Article image
An Inconvenient Sequel review – Al Gore's new climate change film lacks heat
The former vice president’s latest documentary on the threat to the planet, which opened the Sundance festival, is desultory and surprisingly vainglorious

Jordan Hoffman

20, Jan, 2017 @10:42 AM

Article image
Al Gore's Inconvenient Sequel to open Sundance in acutely political year
Politics looks set to overshadow Utah film festival’s 2017 edition, with a march by women film-makers, a documentary on Donald Trump’s presidential victory, and a slew of films on climate change. Then there’s Jack Black’s skit on polka

Andrew Pulver

18, Jan, 2017 @5:24 PM

Article image
Donald Trump documentary added to Sundance lineup
Trumped, a film revealing the inside story of the US president-elect’s campaign victory, to screen at film festival this month

Andrew Pulver

10, Jan, 2017 @10:38 AM

Article image
Sundance 2017: revenge comedy snatches surprise victory
I Don’t Feel at Home in This World Anymore took the top prize, while the film festival’s director spoke out against Donald Trump’s immigration ban

Andrew Pulver

30, Jan, 2017 @12:00 PM

Article image
The Force review – admirably layered police documentary falls short at climax
Outstanding access and an unobtrusive approach almost make up for some unexplored leads and an anti-climactic ending

Jordan Hoffman

27, Jan, 2017 @9:46 PM

Article image
For Sama review – affecting chronicle of life in war-torn Aleppo
Syrian film-maker Waad al-Kateab documents both the city’s siege and the birth of her daughter

Mark Kermode, Observer film critic

15, Sep, 2019 @7:00 AM

Article image
For Sama review – searing story of a Syrian warzone baby
A student documenting the siege of Aleppo kept filming when she became pregnant. The result is a profoundly moving study of horror and hope

Mike McCahill

12, Sep, 2019 @12:00 PM

Article image
Strong Island review – an authentic, painful journey into injustice
Yance Ford’s extraordinary documentary on the murder of his brother is part journalistic examination, part devastating essay on grief for black US families

Charlie Phillips

26, Jan, 2017 @2:38 PM