Barbara – review

Barbara is a departure from distinctive German film-maker Christian Petzold's previous icy thrillers – an elegant drama based on human and political dilemmas

Contemporary German cinema and perhaps even Germany itself are a bit of an unknown quantity in the UK, so it is a pleasure to see another feature from that highly talented and distinctive German film-maker Christian Petzold, who in the past has tended to specialise in icy suspense thrillers. Barbara is slightly different: a drama based on human and political dilemmas. Petzold's favourite star, Nina Hoss, plays Barbara, a doctor in the East Germany of 1980. As a punishment for political insubordination and an application to emigrate to the west, she has been removed from a prestigious position in Berlin and banished to a hospital in the provinces, where she is planning her escape with her lover but is continually harassed by Stasi official Schütz, played by Rainer Bock (a veteran actor, who was the doctor in Michael Haneke's The White Ribbon). But Barbara appears also to captivate an idealistic and handsome colleague, André (Ronald Zehrfeld). Is he falling in love with her?  Is he another Stasi spy? Or both? The weird oppression and seediness of the times is elegantly captured, and Hoss coolly conveys Barbara's highly strung desperation.

Contributor

Peter Bradshaw

The GuardianTramp

Related Content

Article image
Her – review | Peter Bradshaw

In Spike Jonze's postmodern tale of a man who dates his operating system, digital affairs are as sensual – and heartbreaking, as the real thing, writes Peter Bradshaw

Peter Bradshaw

13, Feb, 2014 @6:01 PM

Play – review
Based on a real-life case of bullying, this film's cat-and-mouse game sparked debate in Sweden for its powerful message, writes Henry Barnes

Henry Barnes

11, Jul, 2013 @7:25 PM

Article image
Silence – review
Irish writer-director Pat Collins's ideas-driven drama takes us on a very quiet journey into sound, writes Mike McCahill

Mike McCahill

08, Aug, 2013 @9:10 PM

Article image
Laura – review

Otto Preminger's whodunnit-noir still grips, with its superb halfway-point coup de cinéma, writes Peter Bradshaw

Peter Bradshaw

23, Feb, 2012 @10:10 PM

Article image
Cleopatra – review
The restored big-screen version of Elizabeth Taylor and Richard Burton's mindboggling spectacle should not be missed, writes Peter Bradshaw

Peter Bradshaw

11, Jul, 2013 @8:34 PM

Article image
Beauty – review

Deon Lotz gives a ferociously powerful central performance in this tragic South African movie, writes Peter Bradshaw

Peter Bradshaw

19, Apr, 2012 @9:09 PM

Article image
Theorem – review
Maybe Pasolini's playful fable of ideas is the great director's attempt to put a bomb under Italy's stagnant governing class, writes Peter Bradshaw

Peter Bradshaw

11, Apr, 2013 @9:20 PM

Bonsái – review
Christián Jiménez's second feature could be quirky but is instead a crisp, subtle drama on the life and loves of an aspiring writer, writes Phil Hoad

Phil Hoad

29, Mar, 2012 @8:40 PM

Article image
Rebellion – review

Mathieu Kassowitz, as star and director, is front and centre of this account of an unfortunate 1980s French colonial intervention, writes Peter Bradshaw

Peter Bradshaw

18, Apr, 2013 @9:20 PM

Article image
Pusher – review
Nicholas Winding Refn's gritty 1996 debut about a drug dealer in over his head gets a solid English-language remake, writes Peter Bradshaw

Peter Bradshaw

11, Oct, 2012 @8:30 PM