David Tennant calms his stage fright … with chocolate

The Doctor Who star and classical actor reveals how he copes with ‘the horror of the terror’ of theatrical anxiety

He is one of the biggest stars of stage and screen, from the Royal Shakespeare Company to Doctor Who, but even David Tennant suffers from nerves – and chocolate is one of his secrets to calming them, he has revealed.

The actor allowed himself exactly three squares of chocolate in every interval of one of his shows, finding “comfort in the routine”. “Being on stage is a bit like jumping out of a plane. I try and nail down the things I can control,” he said.

Stage fright has affected some of the foremost stars of the acting world, including Laurence Olivier, who suffered years of debilitating anguish. Tennant spoke of trying to control his anxieties and not “allow your brain to start winding you up”, which is when “you allow those little anxieties in”.

He added: “When you’re opening a show, it’s just the sort of terror of ‘is this conceivable that I can remember a sequence of words in front of other humans?’ There’s just the horror of the terror that it just might not be actually possible.

“And, as that recedes, a couple of weeks, a few weeks into the run, then your brain or my brain will almost try and replace one anxiety with a fabricated anxiety. I don’t know why it feels the need to do that, and I wish it didn’t.”

Tennant opened up about his anxieties in the return of the RSC’s in-house podcast, Interval Drinks. The actor is an artistic associate of the RSC, with Hamlet and Richard II among his acclaimed performances.

“You start rehearsing the speech you’re going to have to make to the audience about the fact that you can’t do this any longer and that you’re going to go to your dressing room and curl up into a primal ball and sort yourself to sleep,” he said.

In the podcast, in conversation with Mark Quartley, who currently plays Henry VI in the RSC productions of Henry VI: Rebellion and Wars of the Roses, he also recalls struggling to speak his lines on stage on the press night of Romeo and Juliet at the Barbican, London, even though he had already performed it in Stratford.

He said that, having experienced the “white hot heat of anxiety” with the earlier staging, he faced “a very dangerous area” with a second press night “where my brain would start playing those tricks on me”.

He added: “I dried in the middle – I can’t remember what the actual line was even. I knew what the meaning was, but I had no idea what the words were.”

He recalled that his co-star, Keith Dunphy, who was playing Tybalt, realised what had happened and “came roaring on stage, flailing his sword around, and we got on with it”.

Contributor

Dalya Alberge

The GuardianTramp

Related Content

Article image
‘It feels like I’m choking’ – actors reveal crippling effects of stage fright
Performers open up anonymously in new study throwing light on severity of ‘humiliating’ condition

Dalya Alberge

01, Mar, 2020 @9:12 AM

Article image
‘This is another crack in the glass ceiling’: RSC casts disabled actors in new season
Artistic director Greg Doran hopes to ‘reflect the nation’ in boost to stage diversity

Dalya Alberge

26, Jan, 2019 @12:00 PM

Article image
Shakespeare inspired to write Othello after being booed off stage
The bard learned from his humiliating experiences as an actor at the Globe to hone his playwright skills, academic says

Dalya Alberge

27, Aug, 2022 @12:00 PM

Article image
Is this an avatar I see before me? Audience takes to stage in virtual Shakespeare play
Video game software enables actors to interact with viewers
in real-time fantasy

Dalya Alberge

07, Feb, 2021 @9:00 AM

Article image
It’s a family show: actors with new babies job-share leading roles
Demand is growing to allow flexible working for cast as well as crew in the theatre industry

Vanessa Thorpe

12, Dec, 2021 @9:20 AM

Article image
‘Not a terrorist again!’: Typecast actors applaud manual to boost role diversity
A new book helps BAME actors shrug off stereotypes and show their real talents

Vanessa Thorpe Arts and media correspondent

13, Oct, 2018 @5:00 PM

Article image
Why does British theatre leave working-class actors waiting in the wings?
Poorer drama students face an uphill struggle, with funding cuts and rising fees. But British theatre may be the loser unless more actors from a range of backgrounds take centre stage

Vanessa Thorpe Arts and Media Correspondent

08, Jul, 2018 @7:00 AM

Article image
Sir Derek Jacobi: ‘The sound and magic of voice are disappearing from theatre’
The acclaimed actor – who is to receive a lifetime achievement award at this year’s Olivier Awards – says the demise of repertory theatre is putting paid to the vocal prowess

Dalya Alberge

18, Mar, 2023 @3:00 PM

Article image
Alas, poor Hamnet: spotlight falls on Shakespeare’s tragic only son
Maggie O’Farrell is the latest modern writer to explore the mysterious life and early death of Hamnet Shakespeare

Vanessa Thorpe Arts and Media Correspondent

22, Feb, 2020 @7:05 PM

Article image
A happy ending for King Lear? Trauma of plague caused Shakespeare to change play’s finale
The Bard, like us, lived through a period of trauma. One expert now believes it coloured his later plays

Vanessa Thorpe

13, Dec, 2020 @8:45 AM