Paris: The Memoir review – how a celebrity nymph conquered the Earth

With its dizzying spirituality and devotion to ‘sacred’ skincare, Paris Hilton’s memoir exposes a culture in which the self only exists if validated by a selfie

Twenty years ago, Paris Hilton was the stiletto-heeled embodiment of the zeitgeist. With a chihuahua called Diamond Baby kennelled in her designer handbag, this nepotistic partygoer juggled five mobile phones while cantering across continents to sell branded merchandise to the fans she smarmily addresses as “my Little Hiltons”. Now, in her early 40s, she has published a memoir, which for ephemeral, unreflective celebrities like her is usually a way of fending off imminent obsolescence.

The book – ventriloquised by Joni Rodgers, who describes herself as a “story whisperer” – is as vapid and vaporous as the fragrances Hilton sells; all the same, archaeologists may one day consult it in the hope of understanding how and why our species underwent a final mutation into something glossily post-human. The antics of this entitled flibbertigibbet expose the absurdity of a culture in which the self only exists if it is validated by a selfie, membership of society depends on the mirage of social media and the reality in which we were all once anchored has been replaced by a flimsy virtual replica.

The high-pitched tale begins in midair above Las Vegas, with a hungover Hilton sky-diving at dawn after “the greatest 21st birthday celebration since Marie Antoinette” (a precursor whose fate she should bear in mind). Freefalling through an empty sky, Hilton recognises that she is a gilded speck of dust, buffeted by angry winds and plummeting towards annihilation. Then, once her parachute opens, she relaxes into an ecstatic state of grace, “suspended above the desert like a diamond on a delicate silver chain”. Her tumble becomes the descent of a biblical dove or perhaps the Virgin Mary’s assumption in reverse; artfully envisaged as a piece of expensive jewellery, it convinces her that she is an astral phenomenon.

“I’m not,” Hilton insists, “pretending to be, like, the Dalai Lama in Louboutins”, but there’s a dizzy spirituality to her account of following what she calls “my bliss” and her rhapsodies about the beauty of the cosmic design. She later gabbles about “going on this trip with the Dalai Lama and a bunch of other people”: did she take His Holiness to party in Ibiza? Christ is invited to join her entourage, though his mission is to sprinkle dollar bills like stardust and instantly fulfil all wishes. “I made the ask,” Hilton tells us after suffering a few seconds of self-doubt, “and like Jesus said, ask and it shall be given unto you.” Schooled by the saviour, she drifts through the crowd at the Coachella Neon Carnival carrying a glitzy cluster of cheap tiaras “so I can gift them as the spirit moves me”.

In the religion for which Paris evangelises, cosmetic pampering takes the place of prayer. “Skin care is sacred,” she declares in italics and she supplements the decalogue that Moses brought down from the mountain by adding her own 11th commandment: this recommends a slathering of sunscreen, her equivalent to extreme unction. “Wellness as an act of love” is another of her slogans, with a day spa as its tabernacle. But she is sceptical about a heavenly reward for which you can only qualify by dying: after escaping from a series of reformatories set up to discipline bratty teenagers, she calculates the price of salvation and decides that “a hundred million dollars would make me feel safe”.

Although she hobnobs with the Dalai Lama and expects Christ to make her mercenary dreams come true, Hilton truly belongs in Greek myth, where flighty nymphs are plucked from the Earth by lecherous gods and installed among the stars in return for their sexual favours. At the end of the book, portioning out her wisdom in bullet points, she suggests that we can elevate ourselves to immortality with no need for divine intervention. “See yourself,” she counsels, “as part of a galaxy.”

This air-headed mysticism merges with the digital revolution, which allowed Hilton to disseminate her image around the globe and to seep into our defenceless heads. She defines her success electronically, theorising that “I was an amplifier and attention was the power cord” that made her “a marketable commodity”. Cryptocurrency, NFTs and the metaverse are another void into which she hurls herself, as if repeating that leap from the plane above Las Vegas: “I jumped in,” she says, “without hesitation.” “Everything I do is tied up in swiftly advancing technology,” she confides, referring to her sideline as a DJ and to the “product development” that turned her into “a corporate-branding diva”; she might also have mentioned the sex tape in which, thanks to a camera that could see in the dark, she thrashed about in bed with a poker player she was dating. Commercialised despite her protests, the tape was bizarrely dedicated to the victims of 9/11 with a solemn vow that “we will never forget”. It certainly ensured that we never forgot Hilton, whose clitoris became clickbait and who subsequently embraced Twitter as her “ADHD wet dream”.

Hilton DJing at the Super Bowl party in Phoenix, Arizona, February 2023
Hilton DJing at the Super Bowl party in Phoenix, Arizona, February 2023. Photograph: Marcus Ingram/Getty Images for Uber

At one point, Hilton remembers that “my mom threw an epic, epic party”. Like the yapping of a chihuahua, that adjective obsessively recurs, applied to lobsters liberated from a supermarket tank in a juvenile game, to a product launch for Juicy Couture, to her quest for true love and to anything else that takes her fancy. She has good reason for her constant recourse to the inflationary word. Like such classical epics as The Iliad or The Aeneid, this memoir is a saga of territorial conquest. To consolidate her triumph, Hilton is currently starting a family: having hired a surrogate to do the obstetric chores, she regrets missing out on a new wardrobe of “amazing maternity looks” and has no Beyoncé belly to document in selfies, but she keeps busy by scanning the map for cities, states and countries after which her offspring might be named. Her forthcoming son will be called Phoenix; any future daughter is to be christened London, which warns us of possible annexation. Yes, it’s her world and after reading her book I just wish I could move off-planet.

  • Paris: The Memoir by Paris Hilton is published by HQ (£20). To support the Guardian and Observer order your copy at guardianbookshop.com. Delivery charges may apply

Contributor

Peter Conrad

The GuardianTramp

Related Content

Article image
Reporter: A Memoir by Seymour Hersh – review
US journalist Seymour Hersh recounts in fine detail the stories that made him, from the My Lai massacre to Abu Ghraib

Rachel Cooke

10, Jun, 2018 @6:00 AM

Article image
Afterglow (A Dog Memoir) by Eileen Myles review – anthropomorphism meets Joyce
This dog’s-eye view of its owner, the world and the canine afterlife is told with great literary flair

Kate Kellaway

12, Feb, 2018 @7:00 AM

Article image
Turning: A Swimming Memoir by Jessica J Lee – review
A young woman embraces a cold-water cure for heartbreak in this intelligent meditation on loss, identity and nature

Katharine Norbury

02, May, 2017 @6:30 AM

Article image
A Life in Questions review – Jeremy Paxman keeps his distance in his memoir
The former Newsnight presenter gives little away in a frustrating look back at his career

Andrew Anthony

10, Oct, 2016 @6:00 AM

Article image
A Radical Romance by Alison Light review – a tender but oblique memoir
Alison Light’s account of her marriage to the historian Raphael Samuel is both admirable and frustrating

Stephanie Merritt

09, Dec, 2019 @7:00 AM

Article image
Two Hitlers and a Marilyn by Adam Andrusier review – memoir of a driven autograph hunter
Andrusier’s book puts a singular spin on the cult of celebrity and its allure for a suburban boy in the 1980s

Anthony Quinn

21, Jun, 2021 @6:00 AM

Article image
One Boy, Two Bills and a Fry-Up review – Wes Streeting’s memoir of hardship… and determination
The shadow health secretary’s way with a cliche doesn’t much hinder his compelling story of overcoming adversity – and bankrobbing relatives

Rachel Cooke

27, Jun, 2023 @6:00 AM

Article image
An Odyssey: A Father, a Son, and an Epic review – a neat melding of family memoir and Homer
The ancient classic proves an inspiring model for Daniel Mendelsohn’s gentle memoir about reconnecting with his father

William Skidelsky

05, Sep, 2017 @6:00 AM

Article image
We’ll Always Have Paris by Emma Beddington review – a sweet and subtle memoir
Patisserie and family tragedy make for a multilayered life story

Kate Kellaway

30, Apr, 2017 @1:00 PM

Article image
Between Them: Remembering My Parents by Richard Ford – review
Two essays on the deaths of the author’s mother and father, written decades apart, are extraordinary studies of how we experience loss – and recall it

Tim Adams

14, May, 2017 @5:30 AM