And Finally: Matters of Life and Death review – humility lessons from Henry Marsh

The ever candid neurosurgeon reflects on his own mortality, as well as the failings of his profession, in this enthralling third volume of memoirs

“I am not a scientist,” says Henry Marsh on the first page of And Finally. “Most neurosurgeons are not neuroscientists – to claim that they all are would be like saying that all plumbers are metallurgists.”

Marsh, who worked as a highly regarded neurosurgeon for more than 40 years, has a penchant for truth-telling, unencumbered by faux modesty. It’s what made his previous books – Do No Harm and Admissions – interrogating a life in medicine, haunted by the “reproachful ghosts” of patients he’d failed, so refreshing and inspiring to read.

This latest autumnal instalment follows in the same vein. Philosophical and scientific conundrums about brain surgery permeate the book: to treat or not to treat patients; how honest to be in giving a prognosis; euthanasia v assisted dying. Along the way the 72-year-old author wrestles with the dilemma of becoming a patient himself.

The memoir’s subtitle and celestial cover design allude to the 1946 Powell and Pressburger film, A Matter of Life and Death. It’s befitting as Marsh reflects on his own mortality after a diagnosis of advanced prostate cancer. He is phlegmatic about his prospects. Sometimes, though, he confesses to paralysing anxiety – a result of his approach towards serious problems that his wife, Kate, calls “therapeutic catastrophising”.

Despite its subject this is not a maudlin book; far from it. Divided into parts like a three-act play, it is often darkly funny, especially in the first act, Denial. Here, Marsh is self-lacerating and also self-forgiving when he reminisces about his medical mistakes. On one occasion he steels himself to admit to a patient that he’d operated on the wrong side of his brain. “Well, I quite understand, Mr Marsh,” the patient answers after a long silence. “I put in fitted kitchens for a living. I once put one in back to front. It’s easily done.”

Marsh is nonetheless fierce on himself throughout the book, as critical as he is of the arrogance of his profession. Now that he’s a patient, he sees clearly how he’s been demoted to an underclass; how some doctors behave as if patients are nothing more than walking pathology; and how they continue to practise medicine under the delusion (once also held by Marsh) that illness only affects patients, not doctors.

Elsewhere, he strikes a sadder personal note, recounting the end of a decades-long friendship with a conscientious Ukrainian neurosurgeon who figured prominently in his earlier memoirs. Working with him in poorly resourced Ukrainian hospitals had left Marsh feeling heroic. But he split from his colleague after discovering he’d been hiding from him a number of cases that had gone terribly wrong, with patients seriously harmed or dying after surgery.

It’s not stated whether Marsh also feels culpable, but certainly he agonises over his professional legacy. That anxiety folds into his nervousness about the future we are bequeathing to our children and grandchildren through inaction over climate change. In one startling passage, he recalls a journey in the Indus delta where he witnessed a catastrophic spectacle: “a flotilla of plastic rubbish … it had neither beginning nor end. It floated past us in complete silence … full of ominous purpose”.

The retired neurologist, who in medical parlance has “hung up his gloves”, has composed a richly discursive book. He charts his ambivalence about undergoing radiotherapy for his cancer, and is especially passionate when advancing the case for assisted dying. He’s scornful of the “dishonest fudge” around the issue that sees doctors accepting the unofficial practice of prescribing large doses of opiate painkillers, as a form of “terminal sedation”.

During Covid, and the cult of death it seemed to spawn, Marsh was animated by the fear his time could run out before he finished making a doll’s house for his granddaughters. Its construction – a mournful metaphor for innocence that a future governed by global warming will deny his grandchildren – is also an act of defiance.

And Finally sounds increasingly ominous about his prostate cancer as the memoir works its way towards a resolution; Marsh is plain-speaking without being dispassionate, almost as if volunteering his own medical history as a case study. Indeed his book reminds me of the mantra – focused on operations – that I first heard at medical school, for doctors embarking on a career in surgery: “see one; do one; teach one”. Henry Marsh may have retired from medicine but let’s hope he keeps producing books as good as this one, which enthral as well as teach.

  • And Finally: Matters of Life and Death by Henry Marsh is published by Jonathan Cape (£16.99). To support the Guardian and Observer order your copy at guardianbookshop.com. Delivery charges may apply

Contributor

Colin Grant

The GuardianTramp

Related Content

Article image
Hybrid Humans by Harry Parker review – man and machine in harmony
An ex-soldier who lost both legs in Afghanistan examines the implications of advances in medical technology with intelligence and humanity

David Robson

21, Feb, 2022 @7:00 AM

Article image
A Honeybee Heart Has Five Openings by Helen Jukes – review
A rootless millennial finds solace and purpose in beekeeping in this astonishing memoir

Alex Preston

30, Jul, 2018 @6:00 AM

Article image
Admissions: A Life in Brain Surgery by Henry Marsh – review
The acclaimed neurosurgeon exudes humility in this fine second memoir, which sees his retirement after 40 years in medicine

Tim Adams

08, May, 2017 @6:30 AM

Article image
Invisible Walls by Hella Pick review – vital lessons from a titan of journalism
Pick recounts her incredible life story, from Kindertransport evacuee to doyenne of the diplomatic press corps, in this profound must-read

Fergal Keane

22, Mar, 2021 @7:00 AM

Article image
And Finally by Henry Marsh review – from doctor to patient
Fearlessly frank and endearingly geeky reflections on life and death by a neurosurgeon diagnosed with cancer

Luca Turin

27, Aug, 2022 @6:30 AM

Article image
A Life in Questions review – Jeremy Paxman keeps his distance in his memoir
The former Newsnight presenter gives little away in a frustrating look back at his career

Andrew Anthony

10, Oct, 2016 @6:00 AM

Article image
Wear and Tear: The Threads of My Life by Tracy Tynan – review
Kenneth Tynan’s daughter, now a successful costume designer, paints a vivid portrait of her hellraising parents

Kate Kellaway

07, Mar, 2017 @7:30 AM

Article image
Real Estate by Deborah Levy review – a dialogue between art and life
The third of Levy’s memoirs, which sees her leaving home for a fellowship in Paris, is a drily funny contemplation of what it means to be a female writer

Stephanie Merritt

03, May, 2021 @6:00 AM

Article image
Future Sex: A New Kind of Free Love by Emily Witt – review
One woman’s quest for personal fulfilment proves a handy guide to sex in the internet age

Lara Feigel

01, Jan, 2017 @7:00 AM

Article image
Paul Newman: The Extraordinary Life of an Ordinary Man review – a screen idol full of self-loathing
A painfully revealing memoir, taken from transcripts of reminiscences Newman recorded in the 1980s, lays bare a candid, complicated star

Peter Conrad

14, Nov, 2022 @7:00 AM