Faithful Ruslan by Georgi Vladimov – review

Vladimov's slender 1979 dissident novel is a masterclass in dark, ironic humour

The faithful Ruslan of the title, and the hero of this novel, is a dog: a loyal, adoring, innocent caucasian sheepdog who is also a vicious prison guard dog. Until, that is, the gulag in which he is employed is shut down. Having dodged death by the hand of his master, Ruslan is freed into a world that doesn't respect the rules of his previous regime; but these rules are all Ruslan has and he grimly hangs on to them like some terrible, toxic bone.

Taught not to accept food from anyone but his master, Ruslan survives on dedication to old duties, mouthfuls of snow and the odd hunted mouse. Other colleagues in the service might slink off to be fed and taken in by civilian owners, but Ruslan has more moral fibre.

When he finally understands his master has betrayed him, the proud, eager dog forms an allegiance with "the Shabby Man", an ex-detainee who may think he is Ruslan's new owner, but who would be mistaken: Ruslan is guarding him until the Shabby Man returns to the labour camp. He "carries devotion to the point of fanaticism", observes the head of Ruslan's pack; a view affirmed by Ruslan's tragic misinterpretation of events at the novel's close.

This slender dissident novel, published in 1979, is Vladimov's accepted masterpiece, an expanded version of his story "The Dogs" from the mid-1960s. It is easy to see why neither version has ever been officially published in Russia. The mindless cruelty of Stalin's enforced labour system – through which approximately 14 million people passed between 1929 and 1953 – is clearly communicated.

The allegory of the unquestioning subordinate – the myrmidon – and their part in such atrocities may not be all that subtle but the dark, ironic humour is precise as a scalpel; and the climactic scene emphatically not for dog-lovers.

Contributor

Sophia Martelli

The GuardianTramp

Related Content

Article image
Slammerkin by Emma Donoghue – review
Emma Donoghue's coming-of-age story of a teenage girl fending for herself in the 1760s exerts a considerable grip, writes Natasha Tripney

Natasha Tripney

17, Feb, 2013 @12:01 AM

Article image
Stoner by John Williams – review
John Williams's Stoner might have unremarkable subject matter, but it is so beautifully rendered that it's no surprise to see it getting a second chance almost half a century after publication, writes Simon Hammond

Simon Hammond

22, Jun, 2013 @4:00 PM

Article image
Dracula by Bram Stoker – review
Colm Tóibín's introduction to Bram Stoker's Dracula puts the work precisely into biographical and historical context, writes Anita Sethi

Anita Sethi

23, Jun, 2012 @11:03 PM

Transparent Things by Vladimir Nabokov – review
Nabokov's ingenious 1972 novella deserves to be read again in spite of some uncomfortable Lolita-esque passages, writes Sophia Martelli

Sophia Martelli

11, Nov, 2012 @12:03 AM

Slow Fade by Rudolph Wurlitzer – review
This raucous story of an egomaniacal film director – thought to be based on Sam Peckinpah – is shot through with death, from the hippy trail to Hollywood, says Sophia Martelli

Sophia Martelli

20, Apr, 2013 @3:00 PM

Article image
Pigeon Pie by Nancy Mitford – review
Nancy Mitford honed her satirical edge with this witty spy story written in the first days of the second world war, writes Helen Zaltzman

Helen Zaltzman

21, Apr, 2012 @11:05 PM

Lolly Willowes by Sylvia Townsend Warner – review
This early feminist classic is also an enchanting tale, writes Lucy Scholes

Lucy Scholes

18, Mar, 2012 @12:07 AM

Tin Toys Trilogy by Ursula Holden – review
This country house novel about three upper-crust sisters growing up during the second world war is much darker than it sounds, writes Helen Zaltzman

Helen Zaltzman

19, Jan, 2013 @7:00 PM

Article image
Pricksongs and Descants by Robert Coover – review

Robert Coover's hallucinatory retelling of fairy tales is bewildering and enthralling, writes Chris Cox

Chris Cox

14, May, 2011 @11:05 PM

The Volcano Lover by Susan Sontag – review
Lettie Ransley on the powerful 1992 novel that brought Susan Sontag to the attention of the masses

Lettie Ransley

13, Feb, 2011 @12:04 AM