‘needanamebro’: why the UK’s next girl band stars don’t even have a name yet

The London R&B trio are building a fanbase through an intriguing mix of 90s hothousing, a 00s-style ‘journey’ and modern-day social media intimacy

Last week, two brand new UK girl bands spent some time with their respective fanbases. For Flo – the Brit-award-winning, BBC Sound of poll-topping, magazine-covering new hope – the fans were in Paris, waiting outside a star-studded Loewe fashion show in the hope of grabbing a selfie. In London, meanwhile, an R&B girl band so new that they have almost no music or even a name held a gathering at a branch of ice-cream parlour Creams to celebrate a year since completing their lineup. Billed on their social media accounts as “needanamebro”, teenagers Yssy, Amelia and Maddie have quickly gathered momentum, reaching nearly 250,000 followers and 11m likes on TikTok. Their path has been an intriguing, era-straddling mix of classic 90s girl band hothousing, letting fans share in a 2000s X Factor-style “journey” and a hefty dose of modern-day social media intimacy and world-building.

While the nascent girl band’s event had the feel of a typically ad hoc, ironic teenage hangout at a brightly lit sweet emporium, it was underscored by major label efficiency: they’re signed to Atlantic and managed by pop band star-maker Modest, former incubator of Little Mix and One Direction – both parties clearly keenly aware of the potential for a new girl group to fill a Little Mix-shaped hole in pop. A special needanamebro menu was created as a keepsake featuring different ice-cream specials for each member (Amelia’s teeth-rotting Amazing Kinder Bueno Waffle With Bueno Gelato, for example). Over the course of a sugar-rich 90 minutes, the London-based band hung out with a portion of their fanbase like best mates, immersing them in a world that’s still being constructed: their Soundcloud page has one song – a gorgeous, harmony-drenched cover of Drake’s Massive – while a playlist of favourite tracks (and obvious stylistic signposts) features the Sugababes, SZA and 90s US R&B trio Brownstone.

It’s a novel way to launch a new band. In the 90s, pop bands often spent a year or so in development behind closed doors, honing their skills while their managers and labels worked out where they fitted in the pop cosmos. By the time TV talent shows arrived at the turn of the millennium this process was truncated to 10 or so weeks on primetime television, with the public given a selective peek at pop’s machinations. Now, with talent shows more concerned with celebrities on ice, or singing while dressed as rhinos, carefully curated social media feeds do the job of showing how the sausage is made – and, more importantly, foster a relationship between fans and the band members.

Flo have been fairly open about the fact they were auditioned, and needanamebro have taken their followers on the journey from Yssy and Amelia being a duo to apparently meeting Maddie for the first time a year ago at Creams (hence the meet-up). (Atlantic confirmed that it signed the duo after finding them online, and then the girls met Maddie through social media.) Rather than hide their history, there are even tote bags in circulation featuring the band as just the original duo, which is both catnip for pop collectors and perhaps a suggestion that becoming a trio wasn’t always on the cards. But today, authenticity isn’t about how you met. Instead, it’s about that all-important chemistry – something that can be honed and shared via Instagram stories and playful TikToks.

needadamebro’s social media feeds are littered with sweaty rehearsal footage, impromptu outdoor dance routines to Beyoncé, and breezy a cappella performances while sitting on the floor. Their styling is casual, their tastes more Mahalia deep cuts than Pussycat Dolls bangers. The mood is dressed down and intimate – the antithesis of constructed and controlled, even if the wheels are furiously turning behind the scenes. At this super early stage, each post, each non-obvious song cover choice, each glimpse into the studio, is a puzzle piece for fans to use to work out who this band are and, ultimately, who they could be.

Perhaps needanamebro’s biggest trump card, however, is that name. Or lack thereof. It’s not unusual for a band to be put together without a name initially, or for that name to change: the Spice Girls were Touch, and then Spice; the Sugababes were the Sugababies, and even the X Factor-controlled launch of Little Mix started with a blip as they switched from being Rhythmix. But here it works as both an inbuilt gimmick (surely there’s a name!), a guarantee of investment and their calling card. Nearly all of needanamebro’s posts feature fans asking a variation of the same thing – “when are you deciding on a name?!” – to which the reply is always “soon”. If it hasn’t already been decided in secret, there’s the possibility that an early fan might supply the winning choice.

The hope, seemingly, is that in years to come fans will be able to say “I was a fan before they even had a name!” Shortly followed by: “I needed five fillings after that meet-up at Creams.”

Contributor

Michael Cragg

The GuardianTramp

Related Content

Article image
​Girl bands made British pop great – so where have all the good ones gone?​
From SVN’s moisturiser-ad feminism to the desperately named CuteBad, the groups filling the void left by Little Mix are lacklustre. They should look to the Spice Girls’ example

Alim Kheraj

11, May, 2022 @9:42 AM

Article image
When band name disputes get dirty
From Bucks Fizz to Sugababes, some huge band names aren't owned by the people you might think. Bob Stanley unearths some patented nonsense

Bob Stanley

01, Sep, 2011 @8:45 PM

Article image
‘Terry Wogan said it was the worst thing he’d ever heard!’: Brian May, Sugababes and more on hitting No 1
Popping to see Jagger, collaring Captain Tom on daytime TV or taking their dad’s advice – these artists share how they topped the singles charts

As told to Dave Simpson

15, Nov, 2022 @12:53 PM

Article image
Frog sounds and electropunk freakouts! Why 00s pop was odder than the X Factor
Beyond the talent-show ballads and mass-market fluff that dominated the early 2000s was a wave of brilliant leftfield pop, with debauched lyrics sung over ‘crunchy and horrible’ music

Michael Cragg

29, Mar, 2023 @10:00 AM

Article image
Little Simz and Knucks share best album prize as Mobo winners announced
PinkPantheress wins the best female act award, while Central Cee takes best male act in a ceremony that paid tribute to the late SBTV founder Jamal Edwards

Shaad D'Souza

30, Nov, 2022 @10:00 PM

Article image
The 50 best albums of 2022, No 1: Beyoncé – Renaissance
At last, a post-pandemic party album we could all get behind, as the artist rode her glittery horse through house, disco and ballroom culture to reimagine Studio 54 in her image

Jenessa Williams

23, Dec, 2022 @10:00 AM

Article image
The 50 best albums of 2022: No 3 – The Weeknd: Dawn FM
Abel Tesfaye’s luridly spectacular album continued his trangressive and dazzlingly deranged themes with gorgeous, grand music voiced by his depressive alter ego

Shaad D'Souza

21, Dec, 2022 @10:00 AM

Article image
Barrett Strong: the Motown hitmaker was modest almost to a fault
Though he was quick to credit others’ contributions, Strong’s songwriting was absolutely critical to the label that remade American pop music

Stevie Chick

31, Jan, 2023 @3:02 PM

Article image
Mud, mess and murder ballads: SZA’s massive success shows that pop fans are craving realness | Shaad D'Souza
With her revenge anthem Kill Bill hitting US No 1 this week, the SOS singer brings something far more intense than the easily digestible break-up songs of Miley Cyrus and co

Shaad D'Souza

26, Apr, 2023 @11:00 AM

Article image
Jessie Ware: That! Feels Good! review – 21st-century disco packed with personality
The retro mood of Ware’s brash pop never feels like a costume, as her tight melodies, killer choruses and dry humour wear vintage details with style

Alexis Petridis

27, Apr, 2023 @11:00 AM