BTS review – charisma and confidence from the world’s biggest pop group

Live stream from Seoul Olympic stadium
How do you perform a stadium-sized show without an audience? Over eight years’ worth of milestone singles, the K-pop stars show how it’s done

“We can’t see you, but we’re so glad you can see us,” beams Jungkook, breathing heavily. BTS – the world’s biggest pop group – have just opened their performance at Seoul’s Olympic stadium in typically flat-out fashion. After flying through the elaborate choreography and ferocious passion of tracks On, Burning Up (Fire) and Dope – songs from three very different stages of the South Korean group’s eight-year career, the seven members are taking a moment to speak frankly. Although their stadium show has flames, fireworks, dozens of balletic dancers dressed like swans and a live band complete with a choreographed brass section, RM, Jin, Suga, j-hope, Jimin, V and Jungkook are missing just one thing: the band’s beloved fanbase, known as Army.

Tonight’s live-stream audience could have sold out the Olympic stadium 10 times over. Instead of dealing with pre-sales, touts and expensive hotels, fans can watch the performance from six perfectly framed camera angles, enjoy live translation, and congregate on social media: when BTS perform just a snippet of a beloved older song, Blood Sweat & Tears, some 50,000 ecstatic tweets are fired off immediately.

Still, j-hope gestures at the stadium’s 69,000 empty seats. “It makes me lonely,” he admits. It’s no small task to perform a stadium-sized show, let alone without the energy and encouragement radiating from a sea of euphoric fans. Harder still when you have a band member out of action: after a small rehearsal injury, V sings with regal acceptance from an armchair, missing out on much of the group’s high-powered delivery.

Flames and fireworks … BTS.
Flames and fireworks … BTS. Photograph: BigHit Music

Named Permission to Dance (On Stage) after the uplifting summer single of the same name, the concert spans their discography with unusually broad strokes. While BTS’ epic album Map of the Soul: 7 would have underpinned last year’s cancelled world tour, tonight feels closer to a greatest hits. They use dance breaks to segue between remixes of milestone singles, and in doing so uncover unexpected thematic links: Blue & Grey, a soft, devastating ballad created during the pandemic, bleeds beautifully into Black Swan, a darkly theatrical song about the fear of falling out of love with music.

BTS have experimented with genre since their 2013 debut, but the way they use each member’s strengths – RM’s cool authority, Jin’s silvery vibrato, Suga’s fierce intensity, j-hope’s colourful expressionism, Jimin’s tender strength, V’s dusky baritone and Jungkook’s athletic adlibs – confirms their charisma and confidence as a group. It tethers them together through the old-school hip-hop inflections of tracks like Dis-ease and Baepsae, the EDM explosion of So What and heartbreaking closer Spring Day, a song fans refer to as the “queen” for its beauty and grace.

This group is so often described as a phenomenon: they’ve broken long-held music industry records and smashed the assumption that pop should be in English for it to find global success. But to call them a phenomenon also implies that their star power is something of a mystery – and that is not true. To watch BTS perform – online, or offline – is to understand the tenacity, talent and passion that has fuelled them to these heights.

Contributor

Katie Hawthorne

The GuardianTramp

Related Content

Article image
BTS review – warmth and wonder from world's biggest boyband
Despite Jungkook’s heel injury, the Korean septet create a powerful communion with devoted fans at their UK debut

Caroline Sullivan

10, Oct, 2018 @12:13 PM

Article image
Brit awards nominations 2021: Dua Lipa, Arlo Parks and Celeste lead improved field for women
Women dominate British album category, while more than half the nominees in key categories are non-white

Laura Snapes

31, Mar, 2021 @3:30 PM

Article image
BTS: Love Yourself: Tear review – K-pop's biggest band keep ploughing on
There’s nothing in the boyband’s third album to upset the formula, with hook-heavy synth anthems and breathy ballads delivered to precision-engineered perfection

Alexis Petridis

18, May, 2018 @3:54 PM

Article image
From tuna fishing to teen love: the producer behind K-pop’s biggest stars
Bumzu is one of the most influential people in K-pop, helping shape South Korea’s multibillion-dollar global music business

Raphael Rashid in Seoul

24, Feb, 2022 @1:00 AM

Article image
Jung Kook: Golden review – a sexed-up, hook-filled but unremarkable solo debut
The talented BTS singer follows a well-worn path from boyband member to solo star, plunging into competent pop-R&B – including an Ed Sheeran co-write

Alexis Petridis

03, Nov, 2023 @5:00 AM

Article image
‘There’s no time left for growth’: why BTS have paused their career at its height
They became the world’s biggest pop group, and a multibillion-dollar asset in their native South Korea. But by taking a break, BTS are refusing to lose their selfhood in a tough industry

Katie Hawthorne

15, Jun, 2022 @4:32 PM

Article image
Why bands are disappearing: 'Young people aren’t excited by them'
Maroon 5’s Adam Levine was scoffed at for suggesting there ‘aren’t any bands any more’ – but if you look at the numbers, he’s right. Wolf Alice, Maximo Park and industry insiders ask why

Dorian Lynskey

18, Mar, 2021 @2:58 PM

Article image
Map of the soul: how BTS rewrote the western pop rulebook
Contrary to their dismissive framing as manufactured robots, South Korea’s BTS use social media, documentary and storytelling to make themselves into profoundly human stars

Katie Hawthorne

18, Nov, 2020 @3:31 PM

Article image
BTS: Map of the Soul: Persona – kings of K-pop are just another boyband
With references to Greek myth and Carl Jung, you’d think these megastars stand out from the crowd. In fact they do the opposite

Alexis Petridis

12, Apr, 2019 @3:05 PM

Article image
After losing my husband, the music of BTS helped me heal
When my husband, Greg Gilbert from Delays, died I could no longer bear to listen to my favourite music. Instead, I soothed my grief by dancing around the kitchen to K-pop

Stacey Heale

16, Jun, 2022 @12:14 PM