Suede – review

Kenwood House, London
Suede's artistically valid and modest reunion on Hampstead Heath showed a convincing and stylish return to form

Nothing denotes a band's status in pop history quite like the venues they get to play when they reform. For Blur, it was sell-out concerts in front of 60,000 at Hyde Park. Pulp played safer with theatres and the odd arena. Rumour has it that Oasis will reunite to headline Glastonbury next year, the biggest show there is. Suede, the first of the Britpop big four to break through, are reuniting at an in-between level, too big for the theatres, not quite big enough to fill the arenas, and their London outdoor show is playing to around a sixth of Blur's crowd. It might seem unfair, given the way they transformed perceptions of British rock in the early 90s, but on a glorious evening, the folds of Hampstead Heath provide a wonderful backdrop. Brett Anderson sounds sincere and humble when he states his pleasure at playing "a park where I've spent a lot of happy times".

That their reunion was artistically valid, as well as good for their bank accounts, is proved by the ballads from their newest album, Bloodsports, being among the evening's highlights. Sometimes I Feel I'll Float Away drifts across the hot evening air, a pop fever dream, then What Are You Not Telling Me chases it over the crowd and into the woods. It helps, too, that they have weathered remarkably well: bassist Mat Osman sways and swings on legs that might be telescopic, Anderson – in tight white shirt and tighter dark trousers – looks as if he has walked out of an advert in Vanity Fair.

He scales the monitors and brushes the hands of the front rows as Suede pile through the updated glam rockers – Metal Mickey, Animal Nitrate, Filmstar – that made their name first time round, Richard Oakes's guitar crunching behind him. And it's hard not to be glad Suede are back, and also that you don't need to share them with 60,000 others.

• Did you catch this gig – or any other recently? Tell us about it using #Iwasthere

Contributor

Michael Hann

The GuardianTramp

Related Content

Article image
Suede – review

In this packed showcase gig for their new album, it's just like 1992 – Suede are cocky and unignorable, writes Mark Beaumont

Mark Beaumont

05, Mar, 2013 @6:18 PM

Music Review | Suede | Royal Albert Hall

The great what if? of 1990s British rock, the nonchalant but hungry Suede could have a magnificent future, says Alexis Petridis

Alexis Petridis

25, Mar, 2010 @1:16 AM

Article image
Suede: the art of handling a reunion

Brett Anderson called time on Suede 10 years ago this week, in rather ignoble fashion. But their reunion sets an example for other Britpop bands, writes Jeremy Allen

Jeremy Allen

08, Nov, 2013 @9:25 AM

Suede: Bloodsports – review
Despite the odd track sequence, Suede's sixth album, 11 years in the making, is a bit of a treat, writes Michael Hann

Michael Hann

14, Mar, 2013 @10:40 PM

Suede: Bloodsports – review
Suede's first album in 11 years is a partial return to form, writes Phil Mongredien

Phil Mongredien

17, Mar, 2013 @12:02 AM

Article image
Suede: Dog Man Star - review
Suede's second album is still truly extraordinary – who would dare make it today, asks Alexis Petridis

Alexis Petridis

09, Jun, 2011 @2:29 PM

Article image
Latitude festival - review
Yes, it was charming and family-friendly, but where was the rock'n'roll, writes Paul Lester

Paul Lester

17, Jul, 2011 @3:36 PM

Article image
Xfm Winter Wonderland – review
Top of the bill Manic Street Preachers managed to make a set of crowdpleasers sound freshly minted, writes Caroline Sullivan

Caroline Sullivan

16, Dec, 2010 @9:29 PM

Article image
Suede review – more stellar than ever in a tremendous primal celebration
Brooding menace and quasi-paganism replace urban sleaze as a feral Brett Anderson gives it his all in a staggering performance

Ian Gittins

14, Oct, 2018 @10:51 AM

Suede, ICA, London

ICA, London

Caroline Sullivan

24, Sep, 2003 @1:37 AM